{"id":9495,"date":"2019-12-06T22:19:06","date_gmt":"2019-12-06T21:19:06","guid":{"rendered":"https:\/\/culturesco.com\/?p=9495"},"modified":"2021-05-23T17:22:47","modified_gmt":"2021-05-23T15:22:47","slug":"supertramp-breakfast-in-america-crime-of-the-century-musique-universelle","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2019\/12\/06\/supertramp-breakfast-in-america-crime-of-the-century-musique-universelle\/","title":{"rendered":"SUPERTRAMP &#8211; Breakfast in America"},"content":{"rendered":"<h2>BREAKFAST IN AMERICA : Un album \u00e0 \u00ab\u00a0singles\u00a0\u00bb<\/h2>\n<p><a href=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-9496\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?resize=425%2C211&#038;ssl=1\" alt=\"Supertramp\" width=\"425\" height=\"211\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?resize=300%2C149&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?resize=768%2C382&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?resize=324%2C160&amp;ssl=1 324w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?resize=696%2C346&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?resize=845%2C420&amp;ssl=1 845w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-albums-74-79.jpg?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>1979 : <\/strong>plus de quarante ans\u00a0se sont \u00e9coul\u00e9es et \u00ab <strong>Breakfast in America<\/strong> \u00bb <strong>truste toujours les radios<\/strong>, tous types d\u2019ondes confondues. <strong>Supertramp superstar<\/strong> !<\/p>\n<p style=\"text-align: justify;\">En 1979, <strong>quatre<\/strong> des dix chansons que compte l\u2019album font l\u2019objet de <strong>singles<\/strong> : \u00ab <strong>The logical song \u00bb, \u00ab Goodbye stranger \u00bb, \u00ab Breakfast in America \u00bb <\/strong>et <strong>\u00ab Take the long way home<\/strong> \u00bb. Toutes les quatre atteignent le <strong>sommet des charts<\/strong>. Chose \u00e9tonnante, trois autres titres se voient passer en radio : \u00ab <strong>Gone Hollywood \u00bb, \u00ab Casual conversations \u00bb et \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=HlqoYPR9G7w\" target=\"_blank\" rel=\"noopener noreferrer\">Child of vision<\/a><\/strong> \u00bb. Sept titres d\u2019un m\u00eame enregistrement radiodiffus\u00e9s,<strong> carton <\/strong>quasi<strong> plein<\/strong>. Qui dit mieux ?!<\/p>\n<h3>SUPERTRAMP &#8211; Goodbye stranger<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"u8pVZ5hTGJQ\"><iframe loading=\"lazy\" title=\"Goodbye Stranger (Remastered 2010)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/u8pVZ5hTGJQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong>Aux commandes<\/strong> de la fus\u00e9e se trouvent <strong>Roger Davies<\/strong> et <strong>Roger Hodgson<\/strong>, deux talentueux m\u00e9lodistes. L\u2019un \u0153uvre plut\u00f4t \u00e0 la guitare, l\u2019autre aux claviers, l\u2019assemblage id\u00e9al, le <strong>\u00ab blended \u00bb parfait<\/strong>. Ils alternent le chant comme les porteurs de la flamme olympique se passent le relais, l\u2019esprit de comp\u00e9tition en sus : <strong>qui chantera une chanson de plus ?<\/strong> Sous ce r\u00e9gime parfois tendu, ils maintiennent leur duo au sein du groupe jusqu\u2019en 1984.<\/p>\n<p style=\"text-align: justify;\">Les in\u00e9vitables et pressentis <strong>probl\u00e8mes d\u2019ego<\/strong> devenant plus important que la musique en elle-m\u00eame, c\u2019est la rupture. Laissant Davies seul ma\u00eetre \u00e0 bord, <strong>Hogson fait ses valises<\/strong> \u00e0 destination d\u2019une <a href=\"https:\/\/www.youtube.com\/watch?v=aTVkSYSo4b0\" target=\"_blank\" rel=\"noopener noreferrer\">carri\u00e8re en solo<\/a>.<strong> Fin du succ\u00e8s<\/strong> tonitruant de <strong>Supertramp<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Question : Comment le groupe en est-il arriv\u00e9 \u00e0 \u00e9crire une <strong>\u0153uvre universelle<\/strong> comme \u00ab <strong>Breakfast in America<\/strong> \u00bb ? Quelques ann\u00e9es plus t\u00f4t \u2026<\/p>\n<h3>SUPERTRAMP : les pr\u00e9mices<\/h3>\n<h3>Asylum<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"w1gPg1c4S40\"><iframe loading=\"lazy\" title=\"Asylum\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/w1gPg1c4S40\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">\u00ab <strong>Crime of the century<\/strong> \u00bb sort en <strong>1974<\/strong> et il s\u2019agit d\u00e9j\u00e0 d\u2019une <strong>pi\u00e8ce de choix<\/strong>. Quelques degr\u00e9s moins incandescents que \u00ab Breakfast in America\u00bb, il si\u00e8ge <strong>un cran au-dessus<\/strong> des deux Lps qui lui font suites.<strong> Supertramp<\/strong> n\u2019\u00e9tant jamais aussi fort que lorsqu\u2019il <strong>raconte une histoire<\/strong>, \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=tfhq0IUIi6k\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Hide in your shell<\/strong><\/a> \u00bb suivi d\u2019\u00ab <strong>Asylum<\/strong> \u00bb ravissent l\u2019auditeur en fin de Face A.<\/p>\n<p style=\"text-align: justify;\">Et puis il y a le cas \u00ab <strong>Dreamer<\/strong> \u00bb. La plupart des amateurs non \u00e9clair\u00e9s du groupe pensent que cette chanson provient de \u00ab <strong>Breakfast in America<\/strong> \u00bb tant sa <strong>structure<\/strong> lui est <strong>identifiable<\/strong>. Flamboyance ! Quarante-cinq ans plus tard, le futur la sert sur un plateau dor\u00e9. En <strong>2019, cette chanson parcoure la bande FM<\/strong> encore plus souvent que ses cons\u0153urs.<\/p>\n<h3 style=\"text-align: justify;\">SUPERTRAMP &#8211; Dreamer<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"6Rq_2Thm_4c\"><iframe loading=\"lazy\" title=\"Dreamer\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/6Rq_2Thm_4c\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Si nous savons maintenant o\u00f9 trouver les pr\u00e9misses de sa grandeur, qu\u2019est-ce qui, dans <strong>l\u2019art de marier les sons<\/strong>, fait l\u2019attractivit\u00e9 musicale de <strong>Breakfast in America<\/strong>?<\/p>\n<p style=\"text-align: justify;\"><strong>L\u2019orchestration<\/strong> ! Comme pour tout assemblage plus grand que chacun de ses \u00e9l\u00e9ments, les <strong>membres de Supertramp<\/strong> ont jou\u00e9 \u00e0 : \u00ab <em>Ins\u00e8res-moi cette note entre ces deux-l\u00e0<\/em> \u00bb, aux <strong>chirurgiens es partition<\/strong>. Pour chaque morceau, le choix et le mixage des instruments rel\u00e8vent de la <strong>marqueterie<\/strong>. On d\u00e9coupe une petite pi\u00e8ce de bois rare puis on l\u2019associe \u00e0 une autre, de teinte diff\u00e9rente, la somme des deux s\u2019incrustant au dixi\u00e8me de millim\u00e8tres dans un parall\u00e9l\u00e9pip\u00e8de rectangle en bois pr\u00e9cieux : <strong>une chanson<\/strong>.<\/p>\n<h3 style=\"text-align: justify;\">The logical song<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"low6Coqrw9Y\"><iframe loading=\"lazy\" title=\"The Logical Song\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/low6Coqrw9Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Restait l\u2019\u00e9preuve de <strong>la sc\u00e8ne pour confirmer<\/strong>. Qu\u2019en fut-il de ce disque une fois la porte du studio referm\u00e9e ? Passa-t-il dignement les feux de la rampe ?<\/p>\n<h3>SUPERTRAMP live 1979<\/h3>\n<p><a href=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-live.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-9497\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-live.jpg?resize=449%2C190&#038;ssl=1\" alt=\"Supertramp\" width=\"449\" height=\"190\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-live.jpg?resize=300%2C127&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-live.jpg?resize=768%2C325&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-live.jpg?resize=696%2C294&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/Supertramp-live.jpg?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Le <strong>29 novembre 1979<\/strong>, <strong>Supertramp<\/strong> se pr\u00e9sente au <strong>Pavillon de Paris<\/strong>. Le <strong>concert <\/strong>est<strong> enregistr\u00e9<\/strong> et sort, en 1980, sous la forme d\u2019un <strong>double Lps<\/strong> simplement titr\u00e9 : \u00ab<strong>Paris<\/strong>\u00bb.<\/p>\n<p style=\"text-align: justify;\">Alors ? <strong>L\u2019interpr\u00e9tation ?<\/strong> \u2026 Copi\u00e9e\/coll\u00e9e ! <strong>Idem<\/strong> ! Les chansons sonnent <strong>comme au sortir du studio<\/strong>. Contrairement \u00e0 certains groupes ou artistes qui modifient syst\u00e9matiquement leurs propositions, modifiant les contenus de date en date, <strong>Supertramp<\/strong> ne met <strong>pas une note \u00ab \u00e0 c\u00f4t\u00e9 \u00bb<\/strong>. Tout juste les guitares haussent-elles le ton lors de certains passages. Grave ? Pour celles et ceux qui n\u2019attendaient que cela, des chansons dans leur jus : servis ! Pour les autres, les ferus d\u2019originalit\u00e9 : rat\u00e9.<\/p>\n<h3>SUPERTRAMP &#8211; Ain&rsquo;t nobody but me (Live in Paris 1979)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"hEyLNUF4vh8\"><iframe loading=\"lazy\" title=\"Ain&#039;t Nobody But Me (Live At Pavillon de Paris\/1979)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/hEyLNUF4vh8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Y-a-t-il un<strong> int\u00e9r\u00eat<\/strong> \u00e0 se d\u00e9placer, se rendre en salle \u00e9couter <strong>\u00ab vivante \u00bb une musique<\/strong> qui <strong>clone<\/strong> sa <strong>frangine sillonn\u00e9e<\/strong> <strong>?<\/strong> Encore une histoire de point de vue. Parfois oui, parfois non. M\u00eame les musiciens classiques laissent leurs \u00ab pattes \u00bb sur les \u0153uvres des Grands Ma\u00eetres qu\u2019ils interpr\u00e8tent, qu\u2019ils \u00ab jouent \u00bb. \u00ab<strong> Jouer<\/strong> \u00bb. Voil\u00e0 peut-\u00eatre la cl\u00e9 d\u2019un live r\u00e9ussi : <strong>se distraire, s\u2019amuser,<\/strong> groupe et public de concert. S\u2019il s\u2019agit de cela, le <strong>film<\/strong> enregistr\u00e9 au <strong>Pavillon de Paris en 1979<\/strong> est <strong>sans \u00e9quivoque<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Les musiciens de <strong>Supertramp<\/strong>, ce soir-l\u00e0, \u00e9taient<strong> tout sourire<\/strong>. Vue\/entendue la r\u00e9action de l\u2019assistance, ce devait \u00eatre<strong> contagieux<\/strong>.<\/p>\n<h3>Take the long way home (Live in Paris 1979)<\/h3>\n<p>https:\/\/www.youtube.com\/watch?v=5_3crV1To3Y<\/p>\n<p>Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BREAKFAST IN AMERICA : Un album \u00e0 \u00ab\u00a0singles\u00a0\u00bb 1979 : plus de quarante ans\u00a0se sont \u00e9coul\u00e9es et \u00ab Breakfast in America \u00bb truste toujours les radios, tous types d\u2019ondes confondues. Supertramp superstar ! En 1979, quatre des dix chansons que compte l\u2019album font l\u2019objet de singles : \u00ab The logical song \u00bb, \u00ab Goodbye stranger [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10045,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[30,17,33],"tags":[37],"class_list":{"0":"post-9495","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-albums-rock","8":"category-carotte-rock-cultures","9":"category-histoire-du-rock","10":"tag-album-rock","11":"post_format-post-format-image"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SUPERTRAMP - Breakfast in America - Culturesco<\/title>\n<meta name=\"description\" content=\"CulturesCo | Supertramp - Breakfast in America en 1979 - Album de musique universelle - Crime of the century idem en 1974\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturesco.com\/index.php\/2019\/12\/06\/supertramp-breakfast-in-america-crime-of-the-century-musique-universelle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SUPERTRAMP - Breakfast in America - Culturesco\" \/>\n<meta property=\"og:description\" content=\"CulturesCo | Supertramp - Breakfast in America en 1979 - Album de musique universelle - Crime of the century idem en 1974\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturesco.com\/index.php\/2019\/12\/06\/supertramp-breakfast-in-america-crime-of-the-century-musique-universelle\/\" \/>\n<meta property=\"og:site_name\" content=\"Culturesco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/radioculturesco\" \/>\n<meta property=\"article:published_time\" content=\"2019-12-06T21:19:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-23T15:22:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i1.wp.com\/culturesco.com\/wp-content\/uploads\/2019\/12\/supertramp-breakfast-in-america.jpg?fit=600%2C314&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"314\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Thierry Dauge\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@AugusteMarshal\" \/>\n<meta name=\"twitter:site\" content=\"@AugusteMarshal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Thierry Dauge\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturesco.com\\\/index.php\\\/2019\\\/12\\\/06\\\/supertramp-breakfast-in-america-crime-of-the-century-musique-universelle\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturesco.com\\\/index.php\\\/2019\\\/12\\\/06\\\/supertramp-breakfast-in-america-crime-of-the-century-musique-universelle\\\/\"},\"author\":{\"name\":\"Thierry Dauge\",\"@id\":\"https:\\\/\\\/culturesco.com\\\/#\\\/schema\\\/person\\\/19f04cf232d246197f6e7d62abe6cb0e\"},\"headline\":\"SUPERTRAMP &#8211; 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