{"id":9354,"date":"2019-11-29T15:38:58","date_gmt":"2019-11-29T14:38:58","guid":{"rendered":"https:\/\/culturesco.com\/?p=9354"},"modified":"2019-11-29T15:45:12","modified_gmt":"2019-11-29T14:45:12","slug":"picasso-ses-tableaux-magiques-influences-par-le-surrealisme-premices-de-guernica","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2019\/11\/29\/picasso-ses-tableaux-magiques-influences-par-le-surrealisme-premices-de-guernica\/","title":{"rendered":"Picasso ses Tableaux magiques influenc\u00e9s par le surr\u00e9alisme"},"content":{"rendered":"

Picasso, des \u0153uvres inspir\u00e9es du cubisme.<\/h2>\n

\"Picasso,<\/p>\n

Le Mus\u00e9e National Picasso-Paris r\u00e9unis pour la premi\u00e8re fois des \u0153uvres surr\u00e9alistes m\u00e9connues du ma\u00eetre. Un \u00e9v\u00e9nement exceptionnel dans l\u2019histoire de l\u2019art<\/strong>; des tableaux dispers\u00e9s dans le monde entier sont regroup\u00e9s pour une exposition qui s\u2019inscrit dans le contexte du surr\u00e9alisme.<\/p>\n

Entre l\u2019\u00e9t\u00e9 1926 et le printemps 1930, Picasso ouvre un nouveau volet, assez m\u00e9connu, de sa cr\u00e9ation, les Tableaux magiques. Il r\u00e9alise environ 150 tableaux, des \u0153uvres puissantes et singuli\u00e8res, une peinture incisive avec des cr\u00e9atures \u00e9tranges et difformes. Picasso semble laisser parler son inconscient, on y per\u00e7oit sa recherche de la part d\u2019invisible pr\u00e9sente dans le monde qui l\u2019entoure.<\/p>\n

La violence des tableaux magiques, la totale m\u00e9tamorphose, sont les pr\u00e9misses du cubisme et de l’intense \u00ab\u00a0Guernica\u00a0\u00bb.<\/a><\/p>\n

Les points forts des tableaux magiques<\/h3>\n

Chaque tableau invite le visiteur a d\u00e9chiffrer la composition; l\u2019artiste d\u00e9structure les figures humaines<\/b> avec des assemblages de lignes courbes ou droites, des amandes pour les yeux, des bouches verticales h\u00e9riss\u00e9es de dents, les cheveux sont devenus un bouquet de traits noirs.<\/p>\n

Parmi ses sources d\u2019inspiration il faut noter les po\u00e8tes surr\u00e9alistes et les arts primitifs. Le peintre poss\u00e8de une importante collection d\u2019objets rituels, masques et statuettes.<\/p>\n

Jacques Guenne, Critique d\u2019art, Directeur de \u00ab\u00a0L\u2019art vivant\u00a0\u00bb \u00e9crit :<\/p>\n

\n

\u00abCe qui demeure le plus \u00e9tonnant dans le cas Picasso, c\u2019est l\u2019action mystique qu\u2019il exerce sur nous tous.\u00bb<\/em><\/h4>\n<\/blockquote>\n

Buste de femme avec autoportrait (1929)<\/h3>\n
\"Picasso
Buste de femme avec autoportrait. Picasso ses Tableaux magiques.<\/figcaption><\/figure>\n

Une cr\u00e9ature qui semble venir d\u2019ailleurs avec des lignes agressives, des couleurs vives. Une m\u00e9tamorphose totale.<\/p>\n

Picasso compose avec des assemblages de plans color\u00e9s, joue sur les contrastes avec des associations de couleurs primaires aux tons vifs comme dans le tableau \u00ab\u00a0Femme dans un fauteuil\u00a0\u00bb<\/em> ou le clair et le fonc\u00e9 s\u2019oppose au blanc.<\/p>\n

Picasso, ses tableaux magiques, \u00ab\u00a0Femme dans un fauteuil\u00a0\u00bb (1927)<\/h3>\n
\"Femme
Femme dans un fauteuil<\/figcaption><\/figure>\n

Les po\u00e8tes surr\u00e9alistes influencent Picasso depuis 1925. Cette complicit\u00e9 dure jusqu\u2019en 1930. Cet univers po\u00e9tique et passionnel s\u2019inscrit comme \u00e9tant l\u2019une des plus puissantes p\u00e9riodes cr\u00e9atrices de son temps.<\/p>\n

En 1929 le peintre r\u00e9alise \u00ab\u00a0La femme dans un fauteuil rouge\u00a0\u00bb<\/em>. Comme les autres repr\u00e9sentations f\u00e9minines les yeux sont dilat\u00e9s, la figure est en forme de pyramide, on per\u00e7oit l\u2019influence du cubisme.<\/p>\n

La femme dans un fauteuil rouge (1929)<\/h3>\n
\"Picasso,
Femme au fauteuil rouge<\/figcaption><\/figure>\n

Cette toile rencontre le succ\u00e8s aux Etats-Unis, lors de la r\u00e9trospective consacr\u00e9e \u00e0 l\u2019artiste en 1939 \u00e0 New York au MoMa (Le Museum of Moderne Art)<\/p>\n

Arlequin 1927<\/h3>\n
\"Tableaux
Arlequin<\/figcaption><\/figure>\n

Picasso a r\u00e9alis\u00e9 7 tableaux surr\u00e9alistes, \u00ab\u00a0Arlequin\u00a0\u00bb, tous en 1927. Le bicorne identifie le personnage, les couleurs sont sombres et laissent deviner le v\u00eatement d\u2019Arlequin.\u00a0 La t\u00eate est en gros plan, les lignes d\u00e9forment le visage.<\/p>\n

\u00ab\u00a0T\u00eate de Demoiselle\u00a0\u00bb Picasso, ses tableaux magiques, <\/em>1929<\/h3>\n
\"T\u00eate
T\u00eate de demoiselle<\/figcaption><\/figure>\n

Des formes plus g\u00e9om\u00e9triques, un corps hexagonal perc\u00e9 d\u2019orifices.\u00a0 Une bouche \u00e9rotique et \u00e0 gauche des m\u00e8ches de cheveux sur un rideau vert.<\/p>\n

Crucifixion 1930<\/h3>\n
\"Tableaux
Crucifixion 1930<\/figcaption><\/figure>\n

Derni\u00e8re \u0153uvre de cette s\u00e9rie magique: la \u00ab\u00a0Crucifixion<\/em>\u00ab\u00a0, tableau r\u00e9alis\u00e9 en f\u00e9vrier 1930 sur une planche en bois. Des personnages g\u00e9ants et des miniatures s\u2019opposent. Sc\u00e8ne de cruaut\u00e9, de mort et d\u2019indiff\u00e9rence.<\/p>\n

Pour le critique d\u2019art Christian Zercos :<\/a><\/p>\n

\u00abL\u2019extraordinaire imagination cr\u00e9ative de Picasso fait de lui un magicien, capable d\u2019inventer des formes in\u00e9dites, susceptible d\u2019influencer la pens\u00e9e de celui qui les regarde. Radicales, ces nouvelles \u0153uvres ont imm\u00e9diatement suscit\u00e9es des interpr\u00e9tations passionn\u00e9es, qui subsistent aujourd\u2019hui.\u00bb<\/em><\/h4>\n

Picasso\u00a0: ses tableaux magiques<\/strong>, p\u00e9riode 1926-1930, une exposition \u00e0 d\u00e9couvrir au Mus\u00e9e national Picasso-Paris jusqu\u2019au 23 f\u00e9vrier 2020.<\/p>\n

Nic Blanchard-Thibault<\/p>\n

A lire aussi : Les \u0153uvres de PICASSO, ses influences en cinq tableaux<\/a><\/p>\n

Picasso \u2013 Mus\u00e9e de Barcelone, ses premi\u00e8res \u0153uvres<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Picasso, des \u0153uvres inspir\u00e9es du cubisme. Le Mus\u00e9e National Picasso-Paris r\u00e9unis pour la premi\u00e8re fois des \u0153uvres surr\u00e9alistes m\u00e9connues du ma\u00eetre. Un \u00e9v\u00e9nement exceptionnel dans l\u2019histoire de l\u2019art; des tableaux dispers\u00e9s dans le monde entier sont regroup\u00e9s pour une exposition qui s\u2019inscrit dans le contexte du surr\u00e9alisme. Entre l\u2019\u00e9t\u00e9 1926 et le printemps 1930, Picasso […]<\/p>\n","protected":false},"author":6,"featured_media":9386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[49],"class_list":{"0":"post-9354","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-peinture","8":"tag-grands-peintres","9":"post_format-post-format-image"},"yoast_head":"\nPicasso ses Tableaux magiques influenc\u00e9s par le surr\u00e9alisme - Culturesco<\/title>\n<meta name=\"description\" content=\"CulturesCo | Picasso ses Tableaux magiques influenc\u00e9s par le surr\u00e9alisme | Pr\u00e9mices du puissant Guernica | Arlequin, Femme au fauteuil .\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturesco.com\/index.php\/2019\/11\/29\/picasso-ses-tableaux-magiques-influences-par-le-surrealisme-premices-de-guernica\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Picasso ses Tableaux magiques influenc\u00e9s par le surr\u00e9alisme - 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