{"id":7770,"date":"2019-08-03T10:34:38","date_gmt":"2019-08-03T08:34:38","guid":{"rendered":"https:\/\/culturesco.com\/?p=7770"},"modified":"2019-08-03T10:34:39","modified_gmt":"2019-08-03T08:34:39","slug":"edouard-manet-le-dejeuner-sur-l-herbe-et-autres-oeuvres-ses-influences-en-sept-tableaux","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2019\/08\/03\/edouard-manet-le-dejeuner-sur-l-herbe-et-autres-oeuvres-ses-influences-en-sept-tableaux\/","title":{"rendered":"Edouard Manet, ses influences en sept tableaux"},"content":{"rendered":"

Manet marque la rupture avec l\u2019Acad\u00e9misme<\/h2>\n

\"Edouard<\/p>\n

 <\/p>\n

Edouard Manet, peintre important du XIX\u00e8me si\u00e8cle<\/strong><\/p>\n

Le r\u00e9alisme, l\u2019impressionnisme, les grands peintres tels que le Titien<\/a>, Giorgione, Degas o\u00f9 Frans Hals influencent le ma\u00eetre.<\/p>\n

Examinons sept tableaux repr\u00e9sentatifs de l\u2019\u0153uvre de Manet.<\/p>\n

Le D\u00e9jeuner sur l\u2019herbe 1863<\/h3>\n
\"Le<\/a>
Le d\u00e9jeuner sur l’herbe<\/figcaption><\/figure>\n

\u0152uvre majeure de la peinture du XIX\u00e8me si\u00e8cle. Un tableau d\u00e9cri\u00e9 et refus\u00e9 au Salon*. Le public et les critiques n\u2019acceptent pas ce sujet moderne, \u00e9loign\u00e9 du pr\u00e9texte de la mythologie.<\/p>\n

Deux femmes nues en compagnie de deux hommes en costume. Le th\u00e8me fait scandale, trop \u00e0 compte-courant des pr\u00e9jug\u00e9s.<\/p>\n

Les sources d\u2019inspiration d\u2019Edouard Manet pour r\u00e9aliser son \u0153uvre d\u00e9contenancent ses d\u00e9tracteurs ;\u00a0 \u00e0 savoir :<\/p>\n

Premi\u00e8rement, une estampe du 16 \u00e8me si\u00e8cle, grav\u00e9 par Rapha\u00ebl \u00ab\u00a0Le Jugement dernier\u00a0\u00bb<\/p>\n

\"Concert
Concert Champ\u00eatre du Titien<\/figcaption><\/figure>\n

Deuxi\u00e8mement Le Concert Champ\u00eatre de 1509, longtemps attribu\u00e9 \u00e0 Giorgione, mais qui serait en r\u00e9alit\u00e9 une \u0153uvre du Titien. Une all\u00e9gorie ou deux femmes nues, figures irr\u00e9elles, qui ne sont que le fruit de l\u2019imagination des deux hommes pr\u00e9sents.<\/p>\n

La repr\u00e9sentation du visible et de l\u2019invisible \u00e9tait tr\u00e8s r\u00e9pandue au d\u00e9but du XVI \u00e8me si\u00e8cle.<\/p>\n

Charles Monselet \u00e9crit\u00a0: \u00ab Manet est un \u00e9l\u00e8ve de Goya et de Baudelaire. Il a d\u00e9j\u00e0 conquis la r\u00e9pulsion des bourgeois\u00a0!\u00bb<\/strong><\/em><\/p>\n

Olympia 1863, nu d’Edouard Manet<\/h3>\n
\"Olympia
Olympia d’Edouard Manet<\/figcaption><\/figure>\n

Certainement l\u2019un des plus beaux nus de la peinture fran\u00e7aise. Pourtant tr\u00e8s contest\u00e9, il est expos\u00e9 au Salon. Deux gardiens prot\u00e8gent la toile des coups de canne des visiteurs indign\u00e9s. Manet \u00e9crit \u00e0 Baudelaire \u00ables injures pleuvent sur moi comme gr\u00eale\u00bb<\/strong><\/em><\/p>\n

\"Nu
La V\u00e9nus d’Urbino<\/figcaption><\/figure>\n

La source d\u2019inspiration d\u2019Olympia serait La V\u00e9nus d\u2019Urbino que le Titien a peint en 1538. Manet en prend une copie et l\u2019adapte \u00e0 son temps, le modernise. La ressemblance entre les deux tableaux est un v\u00e9ritablement t\u00e9lescopage.<\/p>\n

Manet traite la composition en aplats, sur un fond noir, ce qui est contraire aux principes acad\u00e9miques. Le regard assur\u00e9 de la jeune femme est ressenti comme une autre provocation\u2026<\/p>\n

Mais les meilleurs critiques ont quand m\u00eame \u00e9t\u00e9 \u00e9blouis par les nuances de blancs, de cr\u00e8mes qui se superposent dans le tableau.<\/p>\n

\u00ab Vous avez admirablement r\u00e9ussi \u00e0 traduire \u00e9nergiquement et dans un langage particulier les v\u00e9rit\u00e9s de la lumi\u00e8re et de l\u2019ombre, les r\u00e9alit\u00e9s des objets et des cr\u00e9atures \u00bb<\/strong><\/em>, \u00e9crit Zola.<\/p>\n

En 1890 Monet<\/a>, avec des amis et admirateurs de Manet ach\u00e8tent le tableau. Sur intervention de Clemenceau l\u2019\u0153uvre rentre au Louvre en 1907.<\/p>\n

La course \u00e0 Longchamp 1864<\/h3>\n
\"Le
Courses \u00e0 Longchamp<\/figcaption><\/figure>\n

Influenc\u00e9 par Degas<\/a>, Edouard Manet d\u00e9couvre les champs de course.<\/p>\n

Une repr\u00e9sentation exceptionnelle au niveau du mouvement. Avec une touche rapide l\u2019artiste fixe les jockeys et leur monture. La reproduction est \u00e9blouissante, les cavaliers semblent s\u2019\u00e9lancer sur les spectateurs.<\/p>\n

Une \u0153uvre majeure qui influencera plusieurs g\u00e9n\u00e9rations de peintres\u2026<\/p>\n

Portrait de Th\u00e9odore Duret 1868 par Edouard Manet<\/h3>\n
\"Th\u00e9odore
Portrait d’Edouard Manet<\/figcaption><\/figure>\n

Th\u00e9odore Duret d\u00e9fend Manet \u00e0 l’\u00e9poque o\u00f9 il est contest\u00e9. Le journaliste commente lui-m\u00eame le cheminement du peintre pour r\u00e9aliser son portrait :<\/span><\/p>\n

\u00ab Manet\u00a0 pas satisfait du r\u00e9sultat rajoute un tabouret avec dessus un plateau de laque avec une carafe, un verre et un couteau, ce qui constitue un apport de tons vari\u00e9s\u2026Le citron enrichit la composition et donne la touche de couleur.\u00bb<\/strong><\/em><\/p>\n

Le Saumon 1869, nature morte.<\/h3>\n
\"Nature<\/a>
Le Saumon<\/figcaption><\/figure>\n

Un tableau r\u00e9aliste, Manet aime peindre des natures mortes o\u00f9 il trouve plus de libert\u00e9 qu\u2019avec les personnages.<\/p>\n

On y retrouve l\u2019influence du peintre n\u00e9erlandais Jan Davidsz de Heem et de Jean Sim\u00e9on Chardin ; une nappe damass\u00e9e est soigneusement repr\u00e9sent\u00e9e.<\/p>\n

Et surtout le citron, th\u00e8me f\u00e9tiche de Manet, qui est mis \u00e0 l\u2019honneur dans de nombreuses\u00a0 composition de l\u2019artiste. Il utilise le jaune en opposition aux couleurs plus sombres.<\/p>\n

Une nature morte des plus r\u00e9ussies de Manet. La critique est conquise et \u00e9crit\u00a0:<\/p>\n

\u00ab La \u00ab\u00a0nature morte\u00a0\u00bb de Manet, est, l\u00e0 encore, une de ces natures mortes o\u00f9, de l\u2019aveu de tous, le peintre se r\u00e9v\u00e8le incomparable ; cette toile repr\u00e9sente un sp\u00e9cimen de ses admirables poissons \u00e9cailleux et un citron coup\u00e9, qui est certainement le citron le plus cruellement acide jamais peint . \u00bb<\/strong><\/em><\/p>\n

La Maison de Rueil 1882<\/h3>\n
\"Maison
La Maison de Rueil<\/figcaption><\/figure>\n

L\u2019un des derniers tableaux du peintre.<\/p>\n

Manet peint cette toile assis \u00e0 l\u2019ombre d\u2019un acacia.<\/p>\n

L\u2019artiste exprime ses talents de coloriste, on retrouve aussi l\u2019influence des impressionnistes.<\/p>\n

Le Bar aux Folies Berg\u00e8res 1882 par Edouard Manet<\/h3>\n
\"r\u00e9alisme
Un bar aux Folies Berg\u00e8res<\/figcaption><\/figure>\n

Derni\u00e8re composition d’Edouard Manet, le th\u00e8me est la vie mondaine et insouciante \u00e0 Paris. La femme au centre est certainement l\u2019une des serveuses du bar.<\/p>\n

Point fort du tableau le reflet dans le miroir, o\u00f9 l\u2019on aper\u00e7oit un homme en chapeau et l\u2019image d\u2019une salle comble et anim\u00e9e. En opposition le regard empreint de tristesse de la jeune femme.<\/p>\n

La touche de couleur est donn\u00e9e par les oranges qui ont remplac\u00e9 le citron.<\/p>\n

Des touches de blanc en aplats dessinent merveilleusement la coupe en verre qui porte les fruits. Une repr\u00e9sentation de nature morte qui affirme tout le talent du peintre.<\/p>\n

Symbole de l\u2019\u00e9ph\u00e9m\u00e8re et des apparences\u2026 C\u2019est le dernier tableau pr\u00e9sent\u00e9 au Salon de 1882, il y rencontre un vif succ\u00e8s ; celui-ci est l\u2019une des plus belles compositions, repr\u00e9sentatives de toutes l\u2019\u0153uvre de l\u2019artiste qui s’exprime avec r\u00e9alisme.<\/p>\n

Cette toile fait partie de la prestigieuse collection Samuel Courtauld.<\/a><\/p>\n

L’\u0153uvre d’Edouard Manet dans cette vid\u00e9o :<\/p>\n

https:\/\/www.youtube.com\/watch?v=Ab1Zcfw2eUg<\/p>\n

 <\/p>\n

Edouard Manet r\u00e9sume son travail ainsi\u00a0:<\/p>\n

\u00ab Cherchez la grande lumi\u00e8re et la grande ombre, le reste viendra naturellement, c\u2019est souvent peu de chose\u2026\u00bb<\/strong><\/em><\/p>\n

C\u2019est ce \u00ab\u00a0peu de chose\u00a0\u00bb qui va influencer toute la peinture contemporaine.<\/p>\n

Pour Matisse<\/strong> \u00abManet agit par r\u00e9flexes et simplifie le m\u00e9tier de peintre, il exprime que ce qui touche \u00e0 ses sens imm\u00e9diat.\u00bb<\/p>\n

Le Bonus : St\u00e9phane Mallarm\u00e9 & les lithographies<\/h3>\n

En 1873 Edouard Manet fait la connaissance de St\u00e9phane Mallarm\u00e9, il peint le portrait du po\u00e8te.<\/p>\n

\"Portrait
St\u00e9phane Mallarm\u00e9<\/figcaption><\/figure>\n

En 1875 Mallarm\u00e9 traduit Le Corbeau Allan Edgar Poe, Manet r\u00e9alise une lithographie pour l’illustrer :<\/p>\n

\"Lithographie
Le Corbeau, lithographie<\/figcaption><\/figure>\n

L\u2019ann\u00e9e suivante St\u00e9phane Mallarm\u00e9 \u00e9crit L\u2019apr\u00e8s-midi d\u2019un Faune, Debussy le met en musique et Manet dessine une lithographie :<\/p>\n

\"Lithographie\"
L’apr\u00e8s-midi d’un faune, lithographie<\/figcaption><\/figure>\n

* Quelques mots sur le Salon :<\/p>\n

La s\u00e9lection des tableaux est \u00e0 ce point s\u00e9v\u00e8re qu\u2019une salle annexe est ouverte pour exposer les peintres refus\u00e9s par l\u2019aust\u00e8re jury\u00a0; parmi eux nous trouvons\u00a0: Pissarro<\/a>, Manet, C\u00e9zanne<\/a>, Whistler<\/a>\u2026.<\/p>\n

A vous de juger\u2026.<\/p>\n

Nic Blanchard-Thibault<\/p>\n","protected":false},"excerpt":{"rendered":"

Manet marque la rupture avec l\u2019Acad\u00e9misme   Edouard Manet, peintre important du XIX\u00e8me si\u00e8cle Le r\u00e9alisme, l\u2019impressionnisme, les grands peintres tels que le Titien, Giorgione, Degas o\u00f9 Frans Hals influencent le ma\u00eetre. Examinons sept tableaux repr\u00e9sentatifs de l\u2019\u0153uvre de Manet. Le D\u00e9jeuner sur l\u2019herbe 1863 \u0152uvre majeure de la peinture du XIX\u00e8me si\u00e8cle. Un tableau […]<\/p>\n","protected":false},"author":6,"featured_media":8031,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[49],"class_list":["post-7770","post","type-post","status-publish","format-image","has-post-thumbnail","category-peinture","tag-grands-peintres","post_format-post-format-image"],"yoast_head":"\nEdouard Manet, ses influences en sept tableaux - Culturesco<\/title>\n<meta name=\"description\" content=\"CulturesCo | Edouard Manet ses influences en sept tableaux | D\u00e9couvrez ses nus influenc\u00e9s par Le Titien | ses natures mortes, ses portraits.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturesco.com\/index.php\/2019\/08\/03\/edouard-manet-le-dejeuner-sur-l-herbe-et-autres-oeuvres-ses-influences-en-sept-tableaux\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Edouard Manet, ses influences en sept tableaux - 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