{"id":7369,"date":"2019-07-10T12:11:54","date_gmt":"2019-07-10T10:11:54","guid":{"rendered":"https:\/\/culturesco.com\/?p=7369"},"modified":"2019-07-16T16:09:59","modified_gmt":"2019-07-16T14:09:59","slug":"qu-entend-on-par-tube-et-hit-parade","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2019\/07\/10\/qu-entend-on-par-tube-et-hit-parade\/","title":{"rendered":"Qu’entend-on par tube et hit-parade ?"},"content":{"rendered":"

Le premier hit-parade remonte \u00e0 1898…<\/h2>\n

\u2026 et le premier tube aux ann\u00e9es cinquante<\/h3>\n
\"tube
un BILLBOARD de 1940<\/figcaption><\/figure>\n

Qu’entend-on par tube et hit-parade ?<\/strong><\/p>\n

Le premier hit-parade<\/strong> jamais publi\u00e9 est tr\u00e8s certainement celui du magazine am\u00e9ricain Billboard<\/em> de 1898, qui classait les dix meilleures ventes du moment, aussi bien en disques 78-tours qu\u2019en \u00abpetits formats\u00bb. Quant au terme de \u00abtube<\/strong>\u00bb lanc\u00e9 par Boris Vian, il d\u00e9signait au d\u00e9part une chanson dont les paroles \u00e9taient creuses comme… l’int\u00e9rieur d’un tube. Mais depuis la fin des ann\u00e9es 50, ce c\u00f4t\u00e9 d\u00e9pr\u00e9ciatif a disparu. Aujourd\u2019hui on peut dire sans vexer son parolier qu\u2019une chanson du hit-parade<\/strong> est un tube<\/strong>.
\nEt existe-t-il un seul chanteur qui n’ait r\u00eav\u00e9 de voir un jour son nom figurer au hit-parade ?<\/p>\n

Mot magique, tableau d’honneur du chanteur…<\/h3>\n

Promesse de galas pour les mois \u00e0 venir… Espoir de recevoir un ch\u00e8que confortable attestant des prouesses de ventes ainsi r\u00e9alis\u00e9es.<\/p>\n

Mais comment faire pour y arriver\u00a0?<\/h3>\n

En un mot comme en cent, existe-t-il une recette miracle pour que, du jour au lendemain, quelques notes de musique bien assembl\u00e9es, quelques vers bien trouss\u00e9s, quelques id\u00e9es bien ficel\u00e9es entrent dans toutes les oreilles\u00a0?<\/p>\n

Le \u00ab\u00a0tube\u00a0\u00bb en \u00e9quation\u00a0?<\/h3>\n

Aujourd\u2019hui, on le dit\u2026 On le dit, mais \u00e7a reste \u00e0 prouver. Alors, avant de passer la chanson \u00e0 la moulinette de l\u2019ordinateur, penchons-nous sur son histoire\u2026
\nLe premier millionnaire du disque<\/strong> fut Caruso. L\u2019op\u00e9ra n\u2019est pas a priori l\u2019exemple type de la musique dite populaire, or m\u00eame ceux qui n\u2019entendent rien \u00e0 ce genre musical \u00e9litiste connaissent les noms de Caruso, de Pavarotti et de la Callas. Alors, pourquoi Caruso<\/strong>, et avec une chanson, \u00ab\u00a0O Sole Mio\u00a0\u00bb, qui n\u2019est pas tir\u00e9e d\u2019un op\u00e9ra\u00a0? Quarante-quatre ans plus tard, en pleine p\u00e9riode rock\u2019n\u2019roll, un certain Elvis Presley<\/strong>, sous le titre \u00ab\u00a0It\u2019s Now Or Never\u00a0\u00bb remettrait au go\u00fbt du jour, donc dans l\u2019air du temps, ce hit enregistr\u00e9 qu\u2019en 1916. En revanche on ne songea pas, en 1960, \u00e0 r\u00e9\u00e9diter la version du t\u00e9nor Caruso. Est-ce \u00e0 dire qu\u2019il \u00e9tait pass\u00e9 de mode\u00a0?<\/p>\n

Question \u00e0 tiroirs\u00a0<\/strong>: pour avoir du succ\u00e8s, une chanson doit \u00eatre de qualit\u00e9 (c\u2019est indiscutablement le cas de \u00abO Sole Mio\u00bb, arch\u00e9type de la chanson napolitaine, si galvaud\u00e9e qu\u2019on pourrait croire qu’il s’agit de l\u2019hymne national italien), les sonorit\u00e9s, les arrangements doivent \u00eatre eux aussi dans l\u2019air du temps\u00a0: il eut \u00e9t\u00e9 vain de remettre sur le march\u00e9 du disque un enregistrement dont les prouesses techniques \u00e9taient totalement d\u00e9pass\u00e9es. Enfin l\u2019interpr\u00e8te doit \u00eatre dans l\u2019air du temps (en 1960, Elvis, de retour de l\u2019arm\u00e9e, l\u2019\u00e9tait\u00a0; Caruso ne l\u2019\u00e9tait plus). Certains, particuli\u00e8rement dou\u00e9s, y restent \u00e0 jamais\u00a0: Johnny Hallyday, Eddy Mitchell, Charles Aznavour sont au top depuis plus de cinquante ans.<\/p>\n

Trois crit\u00e8res, donc\u00a0: la chanson, l\u2019interpr\u00e8te, le son<\/h3>\n

Sont-ce les seuls\u00a0? Non, car le contexte entre aussi en ligne de compte. Un contexte g\u00e9n\u00e9ralement tragique\u00a0: lorsque John Lennon<\/strong> fut assassin\u00e9 en d\u00e9cembre 1980, plusieurs de ses anciens et r\u00e9cents 45-tours monopolis\u00e8rent les premi\u00e8res places du hit-parade. En revanche, pour ne pas capitaliser sur le d\u00e9c\u00e8s de son cr\u00e9ateur (1991), la maison de disque de Serge Gainsbourg<\/strong> <\/a>repoussa de plusieurs semaines la r\u00e9\u00e9dition de la chanson de 1968 \u00abRequiem pour un c\u2026\u00bb, BO du film \u00abLe Pacha\u00bb. Car le d\u00e9c\u00e8s d\u2019un artiste donne une crise d\u2019urticaire au disque, au moment de sa mort et puis r\u00e9guli\u00e8rement tous les dix ans\u00a0: pensons \u00e0 Claude Fran\u00e7ois<\/strong>, \u00e0 Jacques Brel<\/strong> et \u00e0 Joe Dassin<\/strong>. Pensons \u00e0 Edith Piaf<\/strong> disparue il y a plus d’un demi-si\u00e8cle (1963).<\/p>\n

Un contexte tragique peut \u00e9galement apporter le succ\u00e8s \u00e0 une chanson qui, sans cela, serait rest\u00e9e dans l\u2019ombre. C\u2019est le cas du \u00abTemps des cerises\u00bb que l\u2019on croit n\u00e9 sur les barricades de 1870 (le peuple a retenu le vers : \u00ab\u00a0C’est de ce temps-l\u00e0, que je garde au c\u0153ur, une plaie ouverte\u00a0\u00bb) alors qu\u2019il s\u2019agit d\u2019une chanson tendre dont Jean-Baptiste Cl\u00e9ment avait \u00e9crit les paroles en 1866.<\/p>\n

Ecrire une chanson \u00e0 succ\u00e8s\u2026<\/h3>\n

S\u2019il existait une recette infaillible, \u00e7a se saurait. Il n\u2019emp\u00eache que certains semblent l\u2019avoir trouv\u00e9e\u00a0: de 1963 \u00e0 1970, avant de se s\u00e9parer, brouill\u00e9s, John Lennon et Paul McCartney<\/strong><\/a> sign\u00e8rent la quasi-totalit\u00e9 des tubes des Beatles. Pas une seule fois leurs vinyles manqu\u00e8rent leur but. Et ils ont fait \u00e9cole puisque depuis la Beatlemania, \u00e9paul\u00e9s par des producteurs avis\u00e9s et malins qui \u00ab\u00a0reniflent\u00a0\u00bb l\u2019air du temps, des artistes sortent des disques dont on sait quasiment avec certitude qu\u2019ils seront des tubes\u00a0: Abba, Michel Jackson, David Bowie, Queen\u2026 et des dizaines d\u2019autres ont amplement remplac\u00e9 les vieilles gloires qui eurent pour nom les Rolling Stones et Bob Dylan (liste non exhaustive).<\/p>\n

Si ceux-l\u00e0 avaient perdu leur talent, \u00e7a se saurait et plus personne n\u2019irait les voir en concert. Ils ont d\u00e9sert\u00e9 les hit-parades, semblent ne pas s\u2019en soucier (peut-on croire cependant qu\u2019une star du pass\u00e9 n\u2019est pas vex\u00e9e qu\u2019on boude ses disques\u00a0?)\u00a0; en un mot comme en cent, ils ne sont plus dans le coup. Finies l\u2019urgence et la f\u00e9brilit\u00e9 des ann\u00e9es 60 qui les obligeaient \u00e0 \u00ab\u00a0pondre\u00a0\u00bb un hit tous les deux mois\u00a0; aujourd\u2019hui ils peaufinent des albums qui sortent au rythme d\u2019un tous les quatre ou cinq ans.<\/p>\n

Tube et Hit parade<\/h3>\n

La mentalit\u00e9 n\u2019est pas la m\u00eame\u00a0: l\u2019album est un produit culturel rare, le tube est un produit de grande consommation (mais pas jetable\u00a0: il sera r\u00e9utilis\u00e9 dix ans plus tard par les radios r\u00e9tro).
\n\u00abIls ont fait de moi un tube… mais \u00e0 quel prix\u00bb, chantait Henri Salvador (\u00abJ\u2019\u00e9tais une bonne chanson\u00bb).<\/p>\n

pour tout savoir sur les\u2026 tubes\u2026 et les\u2026 hit-parades de 1900 \u00e0 2019, visitez le site infodisc.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Le premier hit-parade remonte \u00e0 1898… \u2026 et le premier tube aux ann\u00e9es cinquante Qu’entend-on par tube et hit-parade ? Le premier hit-parade jamais publi\u00e9 est tr\u00e8s certainement celui du magazine am\u00e9ricain Billboard de 1898, qui classait les dix meilleures ventes du moment, aussi bien en disques 78-tours qu\u2019en \u00abpetits formats\u00bb. Quant au terme de […]<\/p>\n","protected":false},"author":2,"featured_media":7516,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[],"class_list":{"0":"post-7369","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-carotte-rock-cultures","8":"post_format-post-format-image"},"yoast_head":"\nQu'entend-on par tube et hit-parade ? - Culturesco<\/title>\n<meta name=\"description\" content=\"CulturesCo | Qu'entend-on par tube et hit-parade ? 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