{"id":621,"date":"2018-10-09T10:39:15","date_gmt":"2018-10-09T08:39:15","guid":{"rendered":"https:\/\/culturesco.com\/?p=621"},"modified":"2019-10-13T21:28:03","modified_gmt":"2019-10-13T19:28:03","slug":"100-club-punk-special-20-et-21-septembre-1976","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2018\/10\/09\/100-club-punk-special-20-et-21-septembre-1976\/","title":{"rendered":"100 Club Punk Special 1976 : Premier Festival Punk ?"},"content":{"rendered":"

Punk Special – 100 Club 1976 – 1\u00e8re grande rencontre Punk<\/h2>\n
\"100-club-punk-1976\"<\/a>
100 Club Special Punk -1976<\/figcaption><\/figure>\n

Londres, 20 & 21 Septembre 1976<\/h3>\n

Les puristes consid\u00e8rent que ces deux soir\u00e9es londoniennes au 100 club<\/strong>\u00a0sont le premier vrai festival punk, la premi\u00e8re \u00e9dition de Mont de Marsan<\/strong> n’\u00e9tant finalement qu’un rassemblement de pub-rockers avec un zest de punk, les Damned<\/a>.<\/p>\n

Malcolm McLaren – Special Punk<\/h3>\n

L’organisateur de l\u2019\u00e9v\u00e9nement n’est autre que<\/a> Malcolm McLaren<\/strong>, manager des Sex Pistols <\/a>et propri\u00e9taire de la boutique Sex<\/strong> \u00e0 Kings Road. Pour lui, en revanche, il ne s’agit pas d’un festival. Il d\u00e9teste ce mot qui rappelle les hippies, Woodstock<\/strong> et les groupes de super stars chevelues. Ces deux soir\u00e9es sont des sp\u00e9ciales \u00abpunk\u00bb, tout simplement. Son but avou\u00e9 est de d\u00e9clencher un truc nouveau. L’id\u00e9e est de devenir l’instigateur d’un mouvement de la jeunesse sur fond de provoc’ et de slogans anarchistes. Pour cela, m\u00eame s’il s\u2019occupe des Sex Pistols<\/a> qui ont d\u00e9j\u00e0 embarqu\u00e9 dans leur sillage Buzzcocks<\/a>, <\/strong>Clash<\/a> et Damned<\/a>, il souhaite donner la chance \u00e0 d’autres gamins de s’exprimer, ainsi qu’\u00e0 des groupes \u00abamis\u00bb de participer \u00e0 la f\u00eate.<\/p>\n

Les d\u00e9buts Suzie, juste avant Siouxsie<\/h3>\n
\"siouxsie-suzie-the-banshees\"
suzie and the banshees<\/figcaption><\/figure>\n

Il paye les heures de r\u00e9p\u00e9tition de Subway Sect<\/strong> afin que ces derniers soient op\u00e9rationnels. Il accepte \u00e9galement volontiers la proposition de Susan Ballion<\/strong> qui souhaite monter un groupe pour l’occasion. Elle forme donc Suzie & The Banshees <\/a>quelques jours avant le 20 septembre, avec Marco Pironi<\/strong> (guitare), que l’on retrouve plus tard dans Adam & The Ants, Steve Severin<\/strong> (basse), comme Susan Ballion<\/strong> il vient du Bromley Contingent<\/strong>, le fan club des Sex Pistols<\/strong> et Sid Vicious<\/a> (batterie), futur bassiste des Pistols<\/a>, ami de Johnny Rotten<\/a> et ex membre de Flowers Of Romance<\/strong>, groupe satellite qui a compt\u00e9 dans ses rangs Keith Levene<\/strong>, guitariste de Clash<\/a> et de PiL<\/strong>, Viv Albertine<\/strong> des Slits<\/strong> et bien d’autres encore.<\/p>\n

Le groupe ne sait pas jou\u00e9, n’a pas r\u00e9p\u00e9t\u00e9, mais a l’audace de monter sur sc\u00e8ne pour massacrer Lords Prayer<\/strong>\u00a0et Helter Skelter<\/strong> durant 20 minutes, auxquels il m\u00e9lange des passages de Twist And Shout<\/strong>\u00a0et Knocking On Heaven’s Door<\/strong>.<\/p>\n

Le set est pour le moins cacophonique, mais le public applaudit. Apr\u00e8s avoir chang\u00e9 un peu de line-up et s’\u00eatre mis au travail, Suzie<\/strong> devient Siouxsie<\/a>. Avec ses nouveaux Banshees<\/strong>, elle sort l’excellent premier album The Scream<\/strong>\u00a0en 1978, mais c’est une autre histoire.<\/p>\n

Special Punk – Premier soir<\/h3>\n

Revenons \u00e0 ce Sp\u00e9cial Punk<\/a>. Le premier soir, donc, participent Suzie & the Banshees<\/strong>, Subway Sect, The Clash<\/a><\/strong> et les Sex Pistols<\/strong>. Chaque groupe assure, m\u00eame si, comme nous venons de le voir, les Banshees<\/strong> sont plus l\u00e0 pour le fun et la provoc’ que pour un set hyper technique. Bernie Rhodes<\/strong>, manager du Clash<\/a>, refuse de leur pr\u00eater le mat\u00e9riel du groupe \u00e0 cause du brassard nazi que porte Susan Ballion<\/strong>.<\/p>\n

McLaren<\/strong> vient \u00e0 la rescousse et les Banshees<\/strong> utilisent finalement les amplis des Sex Pistols<\/strong>. Il profite \u00e9galement de la soir\u00e9e pour faire signer le contrat de management qui le lie \u00e0 son groupe. Backstage, les Pistols<\/strong> surexcit\u00e9s par l’ambiance du moment ne lisent rien et se font rouler. Sa soci\u00e9t\u00e9 Glitterbest<\/strong> a d\u00e9sormais tous les droits sur les disques, les noms et pseudos. Il faudra un proc\u00e8s pour que le groupe r\u00e9cup\u00e8re son d\u00fb.<\/p>\n

New Wave<\/h3>\n

Subway Sect<\/strong> joue une trentaine de minutes. Des titres punks lents qui tendent vers la noise et des paroles au go\u00fbt du jour. No Love (pas d’amour), everyone is a prostitute (tout le monde est prostitu\u00e9), why did you shoot me? (pourquoi m’as-tu tir\u00e9 dessus?). Le chanteur Vic Godard<\/strong> ne regarde quasiment pas le public. Il a le visage ferm\u00e9 et un look sobre que l’on nommera plus tard New-Wave.<\/strong>\u00a0Il se contente de chanter, sans doute intimid\u00e9 par ce premier concert.<\/p>\n

The Clash<\/h3>\n
\"the-clash-1976-100-club-special-punk\"
The Clash – 100 Club – 1976<\/figcaption><\/figure>\n

Le Clash<\/strong><\/a> est plus ouvert, bien en place, ils jouent ensemble depuis trois mois mais comptent dans leurs rangs des musiciens confirm\u00e9s. Il y a evidemment Joe Strummer<\/a>, ex 101’ers<\/strong> et Mick Jones<\/strong>, ancien des London SS.<\/strong> Le set est nerveux, comme celui du Screen On The Green<\/strong> un mois avant, et les paroles politis\u00e9es. \u00a0White Riot<\/strong>\u00a0(\u00c9meute blanche, que l’extr\u00eame droite essaie en vain de r\u00e9cup\u00e9rer et qu’une certaine presse qualifie de chanson fasciste sans avoir pris soin de lire les paroles), I’m So Bored With The USA<\/strong> (j’en ai ma claque des USA), London’s Burning<\/strong>\u00a0(Londres br\u00fble d’ennui – chante Strummer<\/strong> – Londres br\u00fble d’ennui appelez police secours!) etc.<\/p>\n

Sex Pistols<\/h3>\n

Suivent les Pistols<\/strong> pour finir la soir\u00e9e. L\u00e0 aussi, un set bien carr\u00e9. M\u00eame si par moments les premiers rangs se bousculent et viennent perturber le guitariste Steve Jones<\/strong>. Le concert d\u00e9bute avec Anarchy in the U<\/strong>K (Anarchie au Royaume-Uni), leur futur single, suivi de reprises des Who, Stooges<\/strong> etc et de compos comme No Feelings<\/strong>\u00a0(pas de sentiment), Problems<\/strong>\u00a0(\u00abProbl\u00e8me, le probl\u00e8me c’est tooiiii!!!!\u00bb hurle Rotten<\/strong>). Suivront,\u00a0Lazy Sod<\/strong> (l’emmerdeur, le branleur, chanson sur la came, le look et le plaisir de ne rien faire) ou encore Pretty Vacant<\/strong> que l’on peut traduire de fa\u00e7on ironique par \u00abassez dispo\u00bb (une chanson sur cette g\u00e9n\u00e9ration de gamins sans avenir qui pointe au ch\u00f4mage).<\/p>\n

Special Punk – Deuxi\u00e8me soir<\/h3>\n

Le lendemain, c’est au tour des fran\u00e7ais Stinky Toys<\/strong> de monter sur sc\u00e8ne, ainsi que The Damned<\/a>, <\/strong>Chris Spedding<\/a> & The Vibrators et Buzzcocks<\/strong>. Stinky Toys<\/strong> \u00e9taient pr\u00e9vus la veille, mais pour des questions de timing, il sont reprogramm\u00e9s le 21 septembre. Anecdote amusante, Elli Medeiros<\/strong> raconte \u00e0 qui veut l’entendre qu’elle a d\u00e9test\u00e9 les Sex Pistols<\/strong> et les d\u00e9teste toujours car ils n’ont pas voulu pr\u00eater leur mat\u00e9riel pour que son groupe puisse jouer. Seulement, le 21 Septembre, les Sex Pistols<\/strong> sont en concert \u00e0 Cardiff. Il leur serait donc difficile de pr\u00eater leur mat\u00e9riel aux Stinky Toys<\/strong> le m\u00eame soir…<\/p>\n

Sex Pistols – Absents mais coupables<\/h3>\n
\"sex-pistols-1976\"
Sex Pistols – 1976 – 100 club<\/figcaption><\/figure>\n

Autre probl\u00e8me qui retombe sur le dos de plus en plus large des Sex Pistols<\/strong>, un spectateur lance un verre en direction des Damned<\/strong><\/a> lors de leur set blessant l\u00e9g\u00e8rement une fille au visage. La police intervient et embarque Sid Vicious<\/a>.\u00a0La presse s’empare alors de la chose, expliquant qu’une jeune fille a perdu son \u0153il lors du concert des Sex Pistols<\/strong>… Qui sont absents. La journaliste Caroline Coon vole au secours de Sid Vicious<\/a>.<\/strong>\u00a0Elle t\u00e9moigne qu’elle \u00e9tait \u00e0 c\u00f4t\u00e9 de lui durant la soir\u00e9e et qu’\u00e0 aucun moment il n’a lanc\u00e9 quoi que ce soit en direction de la sc\u00e8ne.<\/p>\n

Quant \u00e0 la jeune fille, elle n’est que l\u00e9g\u00e8rement bless\u00e9e \u00e0 la joue par un \u00e9clat de verre. Cependant le mal est fait, les Sex Pistols<\/strong> absents sont coupables. Pour la petite histoire, leur manager rest\u00e9 sur place demande au bar pourquoi n’a-t-on pas servi les boissons dans des verres en plastique afin d’\u00e9viter ce genre d’incident. (McLaren<\/strong> aime le chaos mais pas trop quand m\u00eame!). On lui r\u00e9pond brutalement \u00abnous sommes civilis\u00e9s par ici\u00a0Monsieur!<\/em><\/strong>\u00bb. Ambiance…<\/p>\n

100 club : Stinky Toys<\/h3>\n

C\u00f4t\u00e9 musique, le set des Stinky Toys<\/strong> est catastrophique, totalement bancal. Les musiciens passent \u00e9norm\u00e9ment de temps \u00e0 s’accorder entre les chansons et Elli<\/strong> chante faux. La presse d\u00e9crit une prestation m\u00e9diocre, avec une voix tellement d\u00e9sagr\u00e9able que les spectateurs se r\u00e9fugient au bar.<\/p>\n

Suivent les Damned<\/strong> qui sont excellents. Leur set ne dure que 20 minutes, 6 ou 7 titres seulement dont la reprise des Beatles<\/a> –<\/strong>\u00a0Help<\/strong>\u00a0– qui figure en face B de leur premier simple New Rose<\/strong>\u00a0(phon\u00e9tique de N\u00e9vrose) titre \u00e9galement jou\u00e9 ce soir-l\u00e0 ainsi que\u00a0Fan Club<\/strong>\u00a0qui donneront plus tard leurs noms \u00e0 deux labels de disques parisiens (Fan Club<\/strong> \u00e9tant une branche de New Rose<\/strong>).<\/p>\n

100 club : Chris Spedding – Vibrators – Buzzcocks<\/h3>\n

Chris Spedding<\/strong> place la barre encore plus haut. Il faut dire qu’il a roul\u00e9 sa bosse, le bonhomme est musicien professionnel depuis des ann\u00e9es et les Vibrators<\/strong> aussi. Apr\u00e8s\u00a0Motorbiking<\/strong>\u00a0son tube du moment, les reprises de Jumping Jack Flash<\/strong>, I Saw Her Standing There<\/strong>, Great Balls Of Fire<\/strong> et quelques autres p\u00e9pites, Buzzcocks<\/strong> terminent la soir\u00e9e. Ils sont \u00e9galement tr\u00e8s bons, le set est sensiblement le m\u00eame qu’au Screen On The Green<\/strong> fin ao\u00fbt, en plus court. On retrouve des titres du premier EP, Boredom<\/strong>\u00a0(ennui), Breakdown<\/strong>\u00a0(d\u00e9prime) ainsi que les futurs singles Oh Shit<\/strong>\u00a0(Oh merde) et\u00a0Orgasm Addict<\/strong>\u00a0(accro \u00e0 l’orgasme). Le set est court et carr\u00e9. Le groupe a le look punk de la t\u00eate au pied. Le chanteur Howard Devoto<\/strong>, habill\u00e9 de vinyle et de cuir, s’est teint les cheveux en orange. Rien \u00e0 envier aux punks locaux…<\/p>\n

Le 100 Club d\u00e9cide de fermer ses portes aux punks…<\/h3>\n

Apr\u00e8s l’incident du verre jet\u00e9 par un spectateur, Ron Watts<\/strong>, le propri\u00e9taire du 100 Club<\/strong> d\u00e9cide de fermer ses portes aux punks. Il les accueillera de nouveau quelques ann\u00e9es plus tard. Les Sex Pistols<\/strong> y feront m\u00eame leur conf\u00e9rence de presse pour leur reformation en 1996.<\/p>\n

Le 100 Club est l’origine un club de Jazz. Il a jou\u00e9 un r\u00f4le important dans l’\u00e9volution du punk anglais entre Mars et Septembre 1976. Aujourd’hui, il n’est pas rare que Mick Jones<\/strong> (The Clash<\/strong>), Glen Matlock<\/strong> (Sex Pistol<\/strong>s) ou Steve Diggle<\/strong> (Buzzcocks<\/strong>) s’y produisent.<\/p>\n

Fernand Naudin<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Punk Special – 100 Club 1976 – 1\u00e8re grande rencontre Punk Londres, 20 & 21 Septembre 1976 Les puristes consid\u00e8rent que ces deux soir\u00e9es londoniennes au 100 club\u00a0sont le premier vrai festival punk, la premi\u00e8re \u00e9dition de Mont de Marsan n’\u00e9tant finalement qu’un rassemblement de pub-rockers avec un zest de punk, les Damned. Malcolm McLaren […]<\/p>\n","protected":false},"author":8,"featured_media":630,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[34,17,33],"tags":[46],"class_list":{"0":"post-621","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-anecdotes-rock","8":"category-carotte-rock-cultures","9":"category-histoire-du-rock","10":"tag-punk"},"yoast_head":"\n100 Club Punk Special 1976 : Premier Festival Punk ? - Culturesco<\/title>\n<meta name=\"description\" content=\"CulturesCo | 100 Club Punk Special 20 et 21 Septembre 1976 | Le v\u00e9ritable premier festival PUNK de l'histoire | Sex Pistols - 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