{"id":6063,"date":"2019-05-29T17:21:01","date_gmt":"2019-05-29T15:21:01","guid":{"rendered":"https:\/\/culturesco.com\/?p=6063"},"modified":"2019-05-29T17:21:01","modified_gmt":"2019-05-29T15:21:01","slug":"les-oeuvres-de-picasso-de-la-periode-bleue-a-guernica-ses-influences-en-cinq-tableaux","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2019\/05\/29\/les-oeuvres-de-picasso-de-la-periode-bleue-a-guernica-ses-influences-en-cinq-tableaux\/","title":{"rendered":"Les \u0153uvres de PICASSO, ses influences en cinq tableaux"},"content":{"rendered":"

Une plong\u00e9e dans l\u2019univers de Picasso, ses influences, ses \u00e9motions.<\/h2>\n
\"pablo
Picasso en cinq tableaux<\/figcaption><\/figure>\n

 <\/p>\n

Dans ses \u0153uvres, Pablo Picasso peint ce qu\u2019il voit. Ses tableaux sont\u00a0 le fruit de recherches et d\u2019exp\u00e9riences. Un d\u00e9coupage chronologique nous permet de visiter diff\u00e9rentes \u00e9tapes de son \u0153uvre.<\/p>\n

Pour le ma\u00eetre : \u00ab Ce qui compte, c\u2019est la spontan\u00e9it\u00e9, l\u2019impulsion. Voil\u00e0 la v\u00e9rit\u00e9 vraie. Ce que je souhaite c\u2019est que de mon tableau se d\u00e9gage uniquement de l\u2019\u00e9motion.\u00bb<\/strong><\/em><\/p>\n

\u00a0<\/strong>\u00ab\u00a0La p\u00e9riode bleue\u00a0\u00bb, Picasso exprime ses angoisses dans ses \u0153uvres.<\/h3>\n

Dans son \u0153uvre l\u2019artiste peint la d\u00e9tresse humaine. L\u2019utilisation du bleu monochrome, couleur froide, accentue la solitude des personnages. Le d\u00e9senchantement \u00e9mane de cette p\u00e9riode.<\/p>\n

Pour Picasso<\/a> \u00ab Ce qui nous int\u00e9resse, c\u2019est l\u2019inqui\u00e9tude de C\u00e9zanne, ce sont les tourments de Van Gogh, c\u2019est-\u00e0-dire le drame de l\u2019homme \u00bb.<\/p>\n

Femme assise au fichu 1902<\/em><\/h4>\n
\"Femme
Femme assise au fichu de Picasso<\/figcaption><\/figure>\n

Une femme repli\u00e9e sur elle-m\u00eame, le regard perdu. Comment ne pas penser \u00e0 l\u2019univers d\u2019Edward Hopper o\u00f9 la tristesse et la m\u00e9lancolie dominent.<\/p>\n

La p\u00e9riode rose\u00a0:<\/h3>\n

Le peintre s\u2019installe \u00e0 Paris ; il rencontre Fernande Olivier et devient l\u2019ami de Guillaume Apollinaire. Son atmosph\u00e8re s\u2019\u00e9claircit. \u00a0L’artiste s\u2019\u00e9loigne de ses influences espagnoles, les teintes chaudes ont pris le pas sur les bleus dans les \u0153uvres de Picasso.<\/p>\n

Cette p\u00e9riode est caract\u00e9ris\u00e9e par la repr\u00e9sentation de personnages th\u00e9\u00e2traux. Le peintre s\u2019inspire des saltimbanques, des arlequins, des d\u00e9racin\u00e9s… Mais l\u2019inqui\u00e9tude est toujours pr\u00e9sente.<\/p>\n

Famille d\u2019acrobates avec un singe 1905<\/em><\/h4>\n
\"Famille
Famille d’acrobates avec un singe de Picasso<\/figcaption><\/figure>\n

Un tableau de tradition classique. Les tons pastel conduisent \u00e0 l\u2019apaisement. Le personnage masculin est en costume d\u2019arlequin\u00a0; il pose un regard attentif sur la m\u00e8re et l\u2019enfant. De la tendresse se d\u00e9gage de cette \u0153uvre.<\/p>\n

Les arts premiers influencent les \u0153uvres de Picasso :<\/h3>\n

Picasso d\u00e9couvre l\u2019art primitif en 1906 ; il observe longuement les masques Fang au mus\u00e9e du Trocad\u00e9ro. C\u2019est \u00e0 cette p\u00e9riode qu\u2019il peint Les Demoiselles d\u2019Avignon.<\/p>\n

\u00a0Les Demoiselles d\u2019Avignon 1907<\/em><\/h4>\n
\"Demoiselles
Demoiselles d’Avignon de Picasso<\/figcaption><\/figure>\n

La toile repr\u00e9sente cinq nus f\u00e9minins, o\u00f9 il s\u2019oppose au chromatisme \u00e9l\u00e9gant de l\u2019impressionnisme, et \u00e0 la couleur agressive du fauvisme. On retrouve l\u2019influence des arts premiers, les visages rappellent les masques africains. Il faut noter la d\u00e9formation et le morcellement des figures.<\/p>\n

Un tableau tr\u00e8s d\u00e9cri\u00e9 tant par le public que par les amis du peintre qui restent dubitatifs devant cet art nouveau: la naissance du cubisme.<\/p>\n

L’une des premi\u00e8res \u0153uvres de Picasso qui marque le cubisme<\/h3>\n

En 1907, Apollinaire pr\u00e9sente Braque \u00e0 Picasso. Les deux hommes travaillent alors en duo. Leur recherche repose sur l\u2019abstraction, la g\u00e9om\u00e9trisation des formes, l\u2019invention des papiers coll\u00e9s. Ce qu’on appelera le cubisme analytique.<\/p>\n

Ce mouvement est une r\u00e9volution, l\u2019un des plus influents du XX\u00e8me si\u00e8cle.<\/p>\n

Nature morte \u00e0 la chaise cann\u00e9e 1912<\/em><\/h4>\n
\"Nature
Nature morte \u00e0 la chaise cann\u00e9e de Picasso<\/figcaption><\/figure>\n

Premier collage de l\u2019histoire de l\u2019art. Un morceau de toile cir\u00e9e coll\u00e9e sur la toile imite le cannage. La peinture recouvre partiellement cette pi\u00e8ce coll\u00e9e.<\/p>\n

L\u2019innovation dans les \u0153uvres de Picasso est d\u2019une part l\u2019introduction d\u2019un \u00e9l\u00e9ment ext\u00e9rieur \u00e9tranger. Nous sommes entre le trompe-l\u2019\u0153il et la figuration picturale cubiste. Aragon d\u00e9crit le tableau comme \u00abun acte capital de la peinture moderne\u00bb.<\/p>\n

D\u2019autre part remarquons les initiales JOU, qui r\u00e9v\u00e8lent la pr\u00e9sence d\u2019un journal.<\/p>\n

Picasso a conserv\u00e9 ce tableau dans son atelier, par cons\u00e9quent il fut longtemps m\u00e9connu\u00a0; le peintre l\u2019expose pour la premi\u00e8re fois \u00e0 New-York en 1939, puis a Paris en 1955.<\/p>\n

Une \u0153uvre d’art engag\u00e9e !<\/h3>\n

Guernica 1937<\/em><\/h4>\n
\"Guernica,
Guernica de Picasso<\/figcaption><\/figure>\n

Un tableau incontournable, parmi les \u0153uvres de Picasso. Il n\u2019appartient pas au mouvement cubiste proprement dit, n\u00e9anmoins on y retrouve une g\u00e9om\u00e9trisation des figures.<\/p>\n

C\u2019est une fresque qui d\u00e9nonce la guerre civile et le bombardement de la petite ville<\/a> de Guernica\u00a0qui suscita \u00e0 Picasso une vive \u00e9motion. Plus qu’un simple tableau, c\u2019est un engagement par l\u2019art.<\/p>\n

Une toile en noir et blanc avec un cheval agonisant qui domine un bellig\u00e9rant bless\u00e9. A gauche le mythique taureau, qui symbolise la force. Les t\u00eates sont b\u00e9antes et tragiques.<\/p>\n

Une\u00a0 \u0153uvre figurative et empreinte d\u2019une immense douleur.<\/p>\n

Le Bonus : un tableau peu connu du ma\u00eetre :<\/h3>\n

Les paysans 1906<\/em><\/h4>\n
\"Picasso,Des
Les paysans de Picasso<\/figcaption><\/figure>\n

Ce tableau est conserv\u00e9 \u00e0 la Fondation Barnes<\/a>.\u00a0 C\u2019est une composition monumentale. Parmi les \u0153uvres de Picasso, il est le moins connu des grands tableaux.<\/p>\n

Les jeunes gens ont une attitude dynamique ; les animaux sont dans l’action.<\/p>\n

En arri\u00e8re-plan les montagnes en ocre et les bl\u00e9s dor\u00e9s offrent une palette de couleurs chaudes qui caressent le regard.<\/p>\n

La corbeille de fleurs nous offre une belle vari\u00e9t\u00e9 chromatique.<\/p>\n

On trouve ici les caract\u00e9ristiques des \u0153uvres de Greco, notamment en ce qui concerne les proportions des personnages, ainsi que par les drap\u00e9s des v\u00eatements.<\/p>\n

Picasso a observ\u00e9, et a \u00e9t\u00e9 influenc\u00e9 par un grand nombre de ma\u00eetres anciens.<\/p>\n

\u00abC’est en se rendant famili\u00e8res les inventions des autres qu’on apprend, dans l’art, \u00e0 s’inventer soi-m\u00eame\u00bb <\/strong><\/em>disait Ingres.<\/p>\n

Nic Blanchard-Thibault\u00a0<\/strong><\/p>\n

(Picasso en cinq tableaux)<\/p>\n","protected":false},"excerpt":{"rendered":"

Une plong\u00e9e dans l\u2019univers de Picasso, ses influences, ses \u00e9motions.   Dans ses \u0153uvres, Pablo Picasso peint ce qu\u2019il voit. Ses tableaux sont\u00a0 le fruit de recherches et d\u2019exp\u00e9riences. Un d\u00e9coupage chronologique nous permet de visiter diff\u00e9rentes \u00e9tapes de son \u0153uvre. Pour le ma\u00eetre : \u00ab Ce qui compte, c\u2019est la spontan\u00e9it\u00e9, l\u2019impulsion. Voil\u00e0 la […]<\/p>\n","protected":false},"author":6,"featured_media":6074,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[49],"class_list":{"0":"post-6063","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-peinture","8":"tag-grands-peintres","9":"post_format-post-format-image"},"yoast_head":"\nLes \u0153uvres de PICASSO, ses influences en cinq tableaux - Culturesco<\/title>\n<meta name=\"description\" content=\"CulturesCo | Les \u0153uvres de Picasso, ses influences en cinq tableaux. La p\u00e9riode bleue et rose. Arts premiers. Symbolisme. 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