{"id":23831,"date":"2025-02-04T17:56:16","date_gmt":"2025-02-04T16:56:16","guid":{"rendered":"https:\/\/culturesco.com\/?p=23831"},"modified":"2025-02-10T18:14:14","modified_gmt":"2025-02-10T17:14:14","slug":"githead-colin-newman-malka-spigel-and-co","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2025\/02\/04\/githead-colin-newman-malka-spigel-and-co\/","title":{"rendered":"GITHEAD : Colin Newman, Malka Spigel and co"},"content":{"rendered":"<h2 style=\"text-align: justify;\">Une dimension parall\u00e8le en 5 axes<\/h2>\n<figure id=\"attachment_23836\" aria-describedby=\"caption-attachment-23836\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23836\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2025\/02\/Githead_Strasbourg_Square_full.jpg?resize=500%2C422&#038;ssl=1\" alt=\"Githead\" width=\"500\" height=\"422\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2025\/02\/Githead_Strasbourg_Square_full.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2025\/02\/Githead_Strasbourg_Square_full.jpg?resize=300%2C253&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2025\/02\/Githead_Strasbourg_Square_full.jpg?resize=498%2C420&amp;ssl=1 498w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption id=\"caption-attachment-23836\" class=\"wp-caption-text\">Githead Strasbourg Square : Malka Spigel, Colin Newman, Robin Rimbaud, Max Franken (Photo par Githead)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Il y a quand m\u00eame des gars et des nanas qui s\u2019amusent avec les codes. On le savait depuis l\u2019<strong>Album Blanc<\/strong> des <strong>Beatles<\/strong>, et toute l\u2019\u00e9cole de l\u2019\u00e9nigme picturale issue des pochettes de <a href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Saville_(graphic_designer)\"><strong>Peter<\/strong> <strong>Saville<\/strong><\/a> dans les ann\u00e9es 80 : en dire le moins pour susciter le plus. En d\u00e9couvrant ce premier EP tout de jaune primaire en 2004, avec un <strong>GIT<\/strong> noir au recto et un <strong>HEAD<\/strong> rouge au verso, l\u2019on peut en effet rester perplexe. C\u2019est seulement en ouvrant le CD digipack qu\u2019on d\u00e9couvre en \u00e9criture tr\u00e8s minuscule les participants dont une certaine <strong>Malka Spigel<\/strong> et un certain <strong>Colin Newman<\/strong>\u2026<\/p>\n<h3 style=\"text-align: justify;\">HeadGit (2004)<\/h3>\n<p style=\"text-align: justify;\">A l\u2019occasion d\u2019un anniversaire, celui du label ind\u00e9pendant <strong>Swim Records<\/strong> pour ses dix ans en 2004, ses deux cofondateurs d\u00e9cident de monter un groupe pour la soir\u00e9e. Quoi de plus simple quand on s\u2019appelle <strong>Colin Newman<\/strong>, aussi chanteur et guitariste \/ clavi\u00e9riste du mythique groupe post punk <a href=\"https:\/\/culturesco.com\/index.php\/2022\/11\/15\/wire-lalbum-the-ideal-copy\/\"><strong>Wire<\/strong><\/a>, ainsi que <strong>Malka Spigel<\/strong>, bassiste et chanteuse du non moins culte gang New Wave isra\u00eblo-belge <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Minimal_Compact\"><strong>Minimal Compact<\/strong><\/a> ! Bon, accessoirement, ces deux-l\u00e0 sont aussi en couple depuis\u2026 Bref ! Ils s\u2019acoquinent avec le sp\u00e9cialiste en machines et guitares <a href=\"https:\/\/en.wikipedia.org\/wiki\/Robin_Rimbaud\"><strong>Robin Rimbaud<\/strong><\/a> alias <strong>Scanner<\/strong> pour la f\u00eate. Une bo\u00eete \u00e0 rythmes surnomm\u00e9e <strong>The Beat Monster <\/strong>(Ah ah !) assure les percus. Finalement, en r\u00e9p\u00e9tant, les trois se prennent au jeu et d\u00e9cident d\u2019enregistrer les titres pr\u00e9vus sous le nom de <strong>Githead<\/strong>, soit <em>cr\u00e9tin<\/em> ou <em>cr\u00e9tine<\/em> ! D\u2019o\u00f9 ce premier EP plut\u00f4t poussin \u2013 le design est de <strong>Martin Andersen<\/strong> &#8211; d\u00e9nomm\u00e9 malicieusement <strong>Headgit<\/strong> chez<strong> Swim Records<\/strong> bien s\u00fbr. Il faut dire aussi que le <strong>Colin<\/strong> a l\u2019\u00e9poque a un agenda moins charg\u00e9 car <strong>Wire<\/strong>, ressuscit\u00e9 depuis 1999 en formule incandescente, marque \u00e0 nouveau une pause en raison du d\u00e9part de son guitariste soliste en 2004, le subtil <a href=\"https:\/\/en.wikipedia.org\/wiki\/Bruce_Gilbert\"><strong>Bruce Gilbert<\/strong><\/a>.<\/p>\n<h3 style=\"text-align: justify;\">Githead &#8211; Fake Corpses \u2013 Headgit (2004)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"3GT3368oB5Y\"><iframe loading=\"lazy\" title=\"Fake Corpses\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/3GT3368oB5Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Ce disque initial paru en Novembre 2004 pr\u00e9sente d\u00e9j\u00e0 les caract\u00e9ristiques majeures de <strong>Githead<\/strong> : une basse m\u00e9lodique tr\u00e8s en avant, presque Dub, deux guitares en dialogues plut\u00f4t sobres, avec la mani\u00e8re toute personnelle de <strong>Newman<\/strong> de placer ses accords ou ses arp\u00e8ges sur sa <a href=\"https:\/\/www.lamusiqueestatoutlemonde.com\/eastwood-a-decouvrir-absolument\/\"><strong>Eastwood Airline Map Deluxe GN<\/strong><\/a>, sa voix \u2013 toujours identifiable \u2013 et celle de <strong>Malka<\/strong>, en parler \/ chanter, un balancement rythmique qui lorgne vers le trip-hop, plus quelques nuances \u00e9lectroniques. Le tout dans un esprit minimaliste. Les quelques r\u00e9actions critiques appr\u00e9cieront\u2026<\/p>\n<h3 style=\"text-align: justify;\">Craft Is Dead \u2013 Headgit (2004)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"M6MOzkt864g\"><iframe loading=\"lazy\" title=\"Craft is Dead\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/M6MOzkt864g\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\">Profile (2005)<\/h3>\n<p style=\"text-align: justify;\">Apr\u00e8s une s\u00e9rie de dates europ\u00e9ennes, <strong>Githead<\/strong> pr\u00e9pare un v\u00e9ritable album en incluant cette fois un vrai batteur pour certains titres, tout en restant dans la famille, puisqu\u2019il s\u2019agit de <strong>Max<\/strong> <strong>Franken<\/strong>, l\u2019ex tambourineur de\u2026 <strong>Minimal Compact<\/strong> ! Le graphiste <strong>Martin Andersen<\/strong> propose encore une pochette en rouge primaire, avec des informations a minima.<\/p>\n<h3 style=\"text-align: justify;\">Githead &#8211; Alpha \u2013 Profile (2005)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"vSkOhrSQFpM\"><iframe loading=\"lazy\" title=\"Alpha\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/vSkOhrSQFpM\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Les neuf th\u00e8mes de <strong>Profile<\/strong> \u2013 sorti courant Juin 2005 &#8211; s\u2019affichent dans la continuit\u00e9 du EP, avec un plus gros travail sur les compositions, les m\u00e9lodies, et le mixage. L\u2019on retrouve aussi quelques influences de <strong>Wire<\/strong>. Deux aspects notables, le chant plus pr\u00e9sent et assur\u00e9 de <strong>Malka<\/strong> <strong>Spigel<\/strong> et la scansion des morceaux, invitant \u00e0 la danse de 7 \u00e0 77 ans. Un exemple avec le titre <strong>My LCA<\/strong>, une \u00e9vocation par <strong>Malka<\/strong> de sa passion pour le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Lomography\"><strong>Lomo<\/strong><\/a>, un appareil photo de la Russie sovi\u00e9tique aussi primitif que fascinant&#8230;<\/p>\n<h3 style=\"text-align: justify;\">My LCA (Little Box Of Magic) \u2013 Profile (2005)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"HnG8HGGaJx4\"><iframe loading=\"lazy\" title=\"Githead My LCA\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/HnG8HGGaJx4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong>Profile<\/strong> recevra un plus large accueil critique, surtout chez les Anglo-saxons. On louera son aspect moderniste, entre organique et \u00e9lectronique, la basse \u00e0 la <strong>Jah Wobble<\/strong> de <strong>Malka<\/strong>, les guitares de <strong>Newman<\/strong> et <strong>Scanner<\/strong> ainsi que les m\u00e9lodies des morceaux. En France, pas ou peu de r\u00e9actions, comme d\u2019habitude, sauf chez quelques radios ind\u00e9pendantes telle<strong> Radio Campus<\/strong> <strong>Lille<\/strong>.<\/p>\n<h3><\/h3>\n<h3 style=\"text-align: justify;\">Art Pop (2007)<\/h3>\n<p style=\"text-align: justify;\">Deuxi\u00e8me album de <strong>Githead<\/strong>, le bien nomm\u00e9 <strong>Art Pop<\/strong> est d\u00e9voil\u00e9 deux ans plus tard, en Juin 2007. La pochette cr\u00e9\u00e9e par le couple <strong>Newman \/ Spigel<\/strong> reprend le principe de la couleur primaire, ici le bleu, mais avec une photo de mouettes. Musicalement, cet opus de 11 titres, enregistr\u00e9 \u00e0 Londres, Rotterdam et Jaffa, s\u2019av\u00e8re le plus riche et le plus vari\u00e9. D\u00e9j\u00e0, on y retrouve une orientation beaucoup plus r\u00eache, proche du son de <strong>Wire<\/strong>. D\u2019ailleurs quelques mois plus tard, <strong>Colin Newman<\/strong> rejoindra ses vieux potes pour un disque de retour, le tr\u00e8s r\u00e9ussi <a href=\"https:\/\/en.wikipedia.org\/wiki\/Object_47\"><strong>Object 47<\/strong><\/a> (Juillet 2008). Et curieusement, \u00e7a et l\u00e0, on y remarquera aussi quelques traces audibles de&#8230; <strong>Githead<\/strong>.<\/p>\n<h3 style=\"text-align: justify;\">Githead &#8211; On Your Own \u2013 Art Pop (2007)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"oQ61BQn1_gE\"><iframe loading=\"lazy\" title=\"On Your Own\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/oQ61BQn1_gE\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Instrumentalement, aux constantes rituelles s\u2019ajoutent l\u2019utilisation de la guitare acoustique (<strong>Lifeloops<\/strong>), de plus de claviers ou du vocoder, dans le tr\u00e8s <strong><a href=\"https:\/\/culturesco.com\/index.php\/2022\/02\/21\/kraftwerk-radioactivity-sur-toutes-les-ondes\/\">kraftwerkien <\/a>Jet Ear Game<\/strong>. Ici, suivant son intitul\u00e9 <strong>Art Pop<\/strong>, le quatuor alterne donc avec talent ballades atmosph\u00e9riques, exp\u00e9rimentations \u00e9lectroniques arty et br\u00fblots pop post punk. A cette occasion, par chez nous, on se r\u00e9veillera un peu puisque le final, le tr\u00e8s beau <strong>Life In Your Head<\/strong>, figurera sur une compilation CD de <strong>Rock&amp;Folk<\/strong> pendant l\u2019\u00e9t\u00e9 2007, mazette\u00a0!<\/p>\n<h3 style=\"text-align: justify;\">Darkest Star \u2013 Art Pop (2007)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"F1FJ9zin1Mg\"><iframe loading=\"lazy\" title=\"Darkest Star\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/F1FJ9zin1Mg\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\">Landing (2009)<\/h3>\n<p style=\"text-align: justify;\">La cr\u00e9ation de ce 3e volume, toujours \u00e0 Rotterdam, correspond \u00e0 plusieurs faits marquants. D\u2019abord, <strong>Colin Newman<\/strong> reprend en parall\u00e8le ses activit\u00e9s avec <strong>Wire<\/strong>. Ensuite, <strong>Malka Spigel<\/strong> assume de plus en plus les vocaux \u2013 \u00e9vanescents -. Enfin, c\u2019est le disque du quartet qui aura le plus de couverture m\u00e9diatique, m\u00eame chez nous. D\u2019ailleurs, les avis des esth\u00e8tes seront le plus souvent positifs, mais ont-ils \u2013 en France \u2013 vraiment \u00e9cout\u00e9 les autres galettes ? \u00c9tonnamment, l\u2019approche musicale s\u2019affiche beaucoup plus impulsive et binaire, et finalement proche de ce que propose <strong>Wire<\/strong> \u00e0 la m\u00eame \u00e9poque, \u00e0 tel point que parfois, on a l\u2019impression d\u2019\u00e9couter le combo culte avec une chanteuse !<\/p>\n<h3 style=\"text-align: justify;\">Githead &#8211; Landing \u2013 Idem (2009)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"TIefo_4HFeQ\"><iframe loading=\"lazy\" title=\"Landing by Githead\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/TIefo_4HFeQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">On notera \u00e9galement une tendance \u00e0 la r\u00e9p\u00e9tition obsessionnelle qui \u00e9voque les gangs allemands du <strong>Krautrock<\/strong> des ann\u00e9es 70 (<strong>Neu!<\/strong>, <strong>Can, Kraftwerk<\/strong>), une des influences majeures de <strong>Colin Newman<\/strong>. Enfin, la pochette abandonne le nuancier des tons primaires pour une photo de haut vol par<strong> Malka<\/strong>.<\/p>\n<h3 style=\"text-align: justify;\">Transmission Tower \u2013 Landing (2009)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"D3CyTHIf-Qk\"><iframe loading=\"lazy\" title=\"Transmission Tower\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/D3CyTHIf-Qk\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify;\">Waiting For A Sign (2014)<\/h3>\n<p style=\"text-align: justify;\">Inesp\u00e9r\u00e9, voil\u00e0 bien le mot id\u00e9al pour r\u00e9sumer ce dernier disque. Apr\u00e8s des concerts en Europe et sur le continent nord am\u00e9ricain, <strong>Githead<\/strong> s\u2019endort pendant quelques temps\u00a0: cinq ann\u00e9es exactement. L\u2019actualit\u00e9 de <strong>Wire<\/strong>, alors en pleine effervescence, y est sans doute pour quelque chose. Enregistr\u00e9s aux fameux studios <strong>Rockfields<\/strong> en Grande-Bretagne, orn\u00e9s d\u2019une pochette tout en ciel de<strong> Malka<\/strong>, ces neufs titres oscillent entre les chansons au tempo moyen onirique de <strong>Art Pop<\/strong> et les pi\u00e8ces plus volta\u00efques mais sans l\u2019urgence de <strong>Landing<\/strong>.<\/p>\n<h3 style=\"text-align: justify;\">Githead &#8211; To Somewhere -Waiting For A Sign (2014)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"ExDL2xV0GS0\"><iframe loading=\"lazy\" title=\"To Somewhere\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/ExDL2xV0GS0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Depuis <strong>Landing<\/strong>, les quatre ont abandonn\u00e9 leur aspect <em>Je danse avec ma t\u00eate<\/em> pr\u00e9sents sur leurs trois premiers recueils, au profit d\u2019une d\u00e9marche plus rock. Dommage\u00a0? Sans doute un peu car l\u2019ensemble manque de cette perspective \u00e9largie que l\u2019on aime tant. Il n\u2019emp\u00eache que cette ultime collection arbore encore de beaux restes, \u00e0 l\u2019instar de la conclusion g\u00e9n\u00e9rique <strong>Waiting For A Sign<\/strong>. Depuis, justement, plus de signes audibles de <strong>Githead<\/strong>. Esp\u00e9rons que cet article \u2013 de fan \u2013 vous donnera l\u2019envie d\u2019explorer cette dimension parall\u00e8le en 5 axes\u2026<\/p>\n<h3 style=\"text-align: justify;\">Waiting For A Sign \u2013 Idem (2014)<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"ZMxuMxFh5pw\"><iframe loading=\"lazy\" title=\"Waiting for a Sign\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/ZMxuMxFh5pw\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Bruno Polaro\u00efd<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une dimension parall\u00e8le en 5 axes Il y a quand m\u00eame des gars et des nanas qui s\u2019amusent avec les codes. On le savait depuis l\u2019Album Blanc des Beatles, et toute l\u2019\u00e9cole de l\u2019\u00e9nigme picturale issue des pochettes de Peter Saville dans les ann\u00e9es 80 : en dire le moins pour susciter le plus. En [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":23835,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[30,17,36,33],"tags":[37,12189,7625,52,13919],"class_list":{"0":"post-23831","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-albums-rock","8":"category-carotte-rock-cultures","9":"category-groupes-rock-daujourdhui","10":"category-histoire-du-rock","11":"tag-album-rock","12":"tag-albums-essentiels","13":"tag-electro-rock","14":"tag-groupe-rock-actuel","15":"tag-post-punk","16":"post_format-post-format-image"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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