{"id":20003,"date":"2023-06-22T19:10:10","date_gmt":"2023-06-22T17:10:10","guid":{"rendered":"https:\/\/culturesco.com\/?p=20003"},"modified":"2023-06-22T21:19:26","modified_gmt":"2023-06-22T19:19:26","slug":"john-fante-arturo-bandini","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2023\/06\/22\/john-fante-arturo-bandini\/","title":{"rendered":"John FANTE – Arturo BANDINI"},"content":{"rendered":"

John FANTE – Arturo BANDINI<\/h2>\n

\"John<\/p>\n

Arturo BANDINI<\/strong><\/h3>\n

Arturo Bandini<\/strong> c\u2019est l\u2019alter-\u00e9go<\/strong> fantasm\u00e9, l\u2019avatar de John Fante<\/strong>, \u00e9crivain pl\u00e9biscit\u00e9 par<\/strong> le rabelaisien Charles Bukowski<\/strong>.<\/p>\n

D\u2019une petite ville du Colorado \u00e0 Los Angeles<\/strong>, plonger dans les quatre romans choisis \u2013 des tranches de vie ? \u2013 revient \u00e0 cheminer en compagnie d\u2019Arturo Bandini<\/strong> et sa famille, de l\u2019enfance Bandini<\/em> <\/strong>\u00e0 l\u2019\u00e2ge adulte Mon chien stupide<\/em><\/strong>. Suivre le fil conducteur qui relie l\u2019ensemble de ce quatuor, Demande \u00e0 la poussi\u00e8re<\/em><\/strong> et La route de Los Angeles<\/em><\/strong> repr\u00e9sentant les deux autres volumes sous notre plume, conduit \u00e0 explorer la volont\u00e9 du \u00ab h\u00e9ros \u00bb : devenir \u00e9crivain.<\/strong> Arturo Bandini<\/strong> parle, respire et pense litt\u00e9rature<\/strong>, jour et nuit. Attention, il ne s\u2019agit pas pour lui d\u2019\u00e9crire des romans de gare, non ! Il ne vise rien moins que le Prix Nobel<\/strong>, ou comment tordre son destin<\/strong> avec pour unique obsession de parvenir \u00e0 ses fins<\/strong>.<\/p>\n

Dans Demande \u00e0 la poussi\u00e8re<\/em><\/strong> (\u00e9crit en 1939) le personnage central<\/strong> (Arturo Bandini lui-m\u00eame) est parvenu \u00e0 publier une nouvelle<\/strong> dans un magazine. S\u2019il s\u2019agit de son unique fait d\u2019\u00e9criture<\/strong>, il en parle pourtant ainsi :<\/p>\n

\u00ab J’\u00e9tale le magazine sur le comptoir et je biffe la d\u00e9dicace \u00e0 la princesse Maya. A la place j’\u00e9cris : Ch\u00e8re va-nu-pieds, vous l’ignorez sans doute mais, hier soir, c’est l’auteur de cette nouvelle que vous avez insult\u00e9. Mais savez-vous seulement lire ? Dans l’affirmative, investissez quinze minutes de votre temps et d\u00e9lectez-vous de ce chef-d\u2019\u0153uvre.<\/em> \u00bb<\/h3>\n

Pour Arturo<\/strong>, les auteurs qui comptent sont Henry James<\/strong>, Melville<\/strong>,<\/a> Conrad<\/strong>, Dosto\u00efevski<\/strong> et, surtout, Nietzsche<\/strong><\/a>. \u00c0 partir de ses lectures, il se construit un parler \u00e9labor\u00e9<\/strong>, riche de vocabulaire savant, parfois philosophique. Dans La route de Los Angeles<\/em><\/strong> (son premier roman, refus\u00e9 par les \u00e9diteurs en 1936, trop scabreux, et \u00e9dit\u00e9 \u00e0 titre posthume en 1985, par Joyce Fante), post adolescent, il apostrophe sa m\u00e8re et sa s\u0153ur par le biais d\u2019un verbiage sentencieux<\/strong> destin\u00e9 \u00e0 leur exposer son \u00e9rudition<\/strong>.<\/p>\n

\u00c0 la conserverie de poisson o\u00f9 il travaille, idem. Il l\u00e2che des axiomes insultants<\/strong> \u00e0 tout va, traite les ouvriers de laborieux, d\u2019esclaves. Il clame que sa pr\u00e9sence en ce lieu sordide ne poursuit qu\u2019un but, glaner mati\u00e8re \u00e0 \u00e9crire, \u00e0 relater dans une \u0153uvre \u00e0 venir leur condition d\u2019exploit\u00e9s d\u00e9munis. En cela, il s\u2019affirme communiste<\/strong>, d\u00e9fenseur du peuple opprim\u00e9, ennemi de la caste gouvernante. De concert, il renie Dieu,<\/strong> la religion, et tout ce qui s\u2019y rapporte.<\/p>\n

\u00ab Le ciel n’existe pas. L’hypoth\u00e8se du paradis est un pur instrument de propagande forg\u00e9 par les nantis pour duper les pauvres. Je nie l’immortalit\u00e9 de l’\u00e2me. C’est la constante d\u00e9lusion d’une humanit\u00e9 aveugle. Je rejette cat\u00e9goriquement l’hypoth\u00e8se de Dieu. La religion est l’opium du peuple. Les \u00e9glises devraient \u00eatre transform\u00e9es en h\u00f4pitaux ou en b\u00e2timents d’utilit\u00e9 publique.<\/em> \u00bb<\/h3>\n

Autre caract\u00e9ristique r\u00e9currente chez Arturo Bandini<\/strong>, il d\u00e9ifie les femmes<\/strong> tout autant qu\u2019il les hait<\/strong>. Il peut leur assurer son inconditionnel amour<\/strong> puis les rabaisser, les vilipender, d\u00e9sirer irr\u00e9pressiblement les assassiner<\/strong>. Dans sa qu\u00eate de reconnaissance<\/strong>, il s\u2019imagine dictateur. Puis, tel un monarque totalitaire<\/strong> et effrayant, il passe \u00e0 l\u2019action en s\u2019octroyant un pouvoir de vie et de mort sur les animaux<\/strong>\u2026 en les tuant<\/strong>. Ce c\u00f4t\u00e9 obscur du personnage<\/strong> n\u2019a de cesse de questionner le lecteur sur la fronti\u00e8re qui borne les livres de Fante, entre autobiographie et fiction.<\/strong><\/p>\n

\"John<\/p>\n

John FANTE<\/strong><\/h3>\n

John Fante<\/strong> (1909\/1983), comme son h\u00e9ros issu de l\u2019immigration<\/strong>, pr\u00e9sente des racines<\/strong> italiennes<\/strong>. Si, dans ses \u0153uvres, son alter-\u00e9go rab\u00e2che qu\u2019il est am\u00e9ricain<\/strong>, il est fort probable qu\u2019il ait lui-m\u00eame ressenti le besoin de l\u2019affirmer<\/strong>, d\u2019ancrer fermement sa vie dans le pays qui l\u2019a vu na\u00eetre au contraire de ses parents<\/strong> reprenant des attitudes et coutumes transalpines.<\/strong><\/p>\n

\u00c0 un moment de sa vie, en parall\u00e8le \u00e0 l\u2019\u00e9criture de livres, John Fante travaille comme sc\u00e9nariste pour Hollywood.<\/strong> Il n\u2019a pas une grande estime pour ce boulot mais il lui permet de payer les traites et d\u2019\u00e9lever sa famille ; de manger. Il relate le contexte dans lequel il exerce ce job au sein de Mon chien Stupide<\/strong><\/em> (\u00e9dit\u00e9 \u00e0 titre posthume en 1985 par Joyce Fante). Stupide, c\u2019est le nom dont il affuble un gros chien noir \u00ab homosexuel \u00bb<\/strong> qu\u2019il retrouve un jour sur la pelouse de sa maison et qu\u2019il adopte pour des raisons qui lui sont tr\u00e8s personnelles.<\/p>\n

\u00ab Je savais pourquoi je voulais ce chien. C’\u00e9tait clair comme de l’eau de roche, mais je ne pouvais le dire \u00e0 Jamie. \u00c7a m’aurait g\u00ean\u00e9. En revanche, je pouvais me l’avouer franchement. J’\u00e9tais las de la d\u00e9faite et de l’\u00e9chec. Je d\u00e9sirais la victoire mais j’avais cinquante-cinq ans et il n’y avait pas de victoire en vue pas m\u00eame de bataille\u2026 Stupide \u00e9tait la victoire, les livres que ne n’avais pas \u00e9crits, les endroits que je n’avais pas vus, la Maserati que je n’avais jamais eue, les femmes qui me faisaient envie : Danielle Darrieux, Gina Lollobrigida\u2026<\/em> \u00bb<\/h3>\n

Il semble donc que John Fante ait souffert de ranc\u0153ur et d\u2019amertume<\/strong> au regard de la vie qu\u2019il menait. On sait qu\u2019il \u00e9tait homme \u00e0 femmes.<\/strong> Joyce, son \u00e9pous<\/strong>e, le seconda n\u00e9anmoins sans faillir, s\u2019occupant de lui jusqu\u2019\u00e0 sa mort, permettant la publication posthume d\u2019ouvrages jusque-l\u00e0 in\u00e9dits.<\/strong><\/p>\n

En tout homme, il y a une part d\u2019ombre et de lumi\u00e8re<\/strong>. M\u00eame obscurcie, cette derni\u00e8re supplanta ce qu\u2019il y avait de Mister Hyde en lui. Peut-\u00eatre, ses penchants les moins reluisants furent-ils le fruit d\u2019une enfance particuli\u00e8re. Dans Bandini<\/em> <\/strong>(\u00e9crit en 1938), il d\u00e9crit l\u2019\u00e9tat d\u2019esprit d\u2019Arturo enfant<\/strong> ; d\u00e9crit il le sien ?<\/strong><\/p>\n

\u00ab Sa m\u00e8re et son p\u00e8re \u00e9taient italiens, il les aurait voulus am\u00e9ricains.<\/em> Son p\u00e8re \u00e9tait poseur de briques, il l\u2019e\u00fbt pr\u00e9f\u00e9r\u00e9 lanceur pour les Chicago Cubs. Ils habitaient Rocklin, Colorado, \u2026 et il voulait habiter Denver\u2026 Il fr\u00e9quentait une \u00e9cole catholique, il aurait pr\u00e9f\u00e9r\u00e9 une \u00e9cole publique\u2026 Enfant de ch\u0153ur, il \u00e9tait un vrai diable et ha\u00efssait les enfants de ch\u0153ur\u2026 Il redoutait d\u2019\u00eatre bon gar\u00e7on car il craignait que ses amis ne le traitent de bon gar\u00e7on. Il s\u2019appelait Arturo\u2026 Il adorait son p\u00e8re, mais il vivait dans la hantise du jour o\u00f9 il serait assez costaud pour le rosser. Il prenait sa m\u00e8re pour une mijaur\u00e9e doubl\u00e9e d\u2019une idiote.<\/em> \u00bb<\/h3>\n

\"John<\/p>\n

John Fante en famille<\/em><\/span><\/p>\n

On doit \u00e0 Charles Bukowski<\/a> le regain d\u2019int\u00e9r\u00eat autour de l\u2019\u0153uvre de John Fante.<\/strong> Il le d\u00e9couvre un jour dans une biblioth\u00e8que<\/strong>. D\u00e8s les premi\u00e8res lignes, il est stup\u00e9fait. Voil\u00e0 comme il relate la rencontre :<\/strong><\/p>\n

\u00ab J\u2019ai continu\u00e9 de marcher autour de la grande salle, tirant les livres des \u00e9tag\u00e8res, lisant quelques lignes, quelques pages et les reposant. Un jour j\u2019ai sorti un livre, je l\u2019ai ouvert et c\u2019\u00e9tait \u00e7a. Je restai plant\u00e9 un moment, lisant et comme un homme qui a trouv\u00e9 de l\u2019or \u00e0 la d\u00e9charge publique.<\/em> \u00bb (\u00c0 propos de Ask The Dusk<\/em>)<\/h3>\n

John Fante est mort le 8 mai 1983<\/strong>, aveugle et cul-de-jat<\/strong>te suite \u00e0 des complications li\u00e9es au diab\u00e8te dont il souffrait. Pour en arriver \u00e0 cette extr\u00e9mit\u00e9, on peut parier qu\u2019il ne respecta pas son r\u00e9gime diab\u00e9tique<\/strong> ni les recommandations inh\u00e9rentes en mati\u00e8re d\u2019hygi\u00e8ne de vie. On ne se refait pas.<\/strong> S\u2019il est des hommes qui ont la vie qu\u2019ils m\u00e9ritent, il en est d\u2019autres qui \u00e9crivent la leur<\/strong>.<\/p>\n

Reste de ce grand \u00e9crivain des ouvrages parcourus de phrases \u00e9vocatrices,<\/strong> taill\u00e9es au scalpel, \u00e0 l\u2019os, sans une once de gras ou de superflu.<\/strong> Certaines couvrent une demi-page, d\u2019autres n\u2019offrent qu\u2019un mot. Il n\u2019est pas donn\u00e9 \u00e0 tout le monde d\u2019\u00e9crire comme cela<\/strong>. De plus laborieux s\u2019y sont essay\u00e9s sans y parvenir. Chez-lui, c\u2019\u00e9tait inn\u00e9.<\/strong> Ainsi, faisant notre bonheur, John Fante<\/strong> profita de la gr\u00e2ce litt\u00e9raire<\/strong> qui le toucha. Pour le lire, le relire et le relire encore.<\/strong><\/p>\n

Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"

John FANTE – Arturo BANDINI Arturo BANDINI Arturo Bandini c\u2019est l\u2019alter-\u00e9go fantasm\u00e9, l\u2019avatar de John Fante, \u00e9crivain pl\u00e9biscit\u00e9 par le rabelaisien Charles Bukowski. D\u2019une petite ville du Colorado \u00e0 Los Angeles, plonger dans les quatre romans choisis \u2013 des tranches de vie ? \u2013 revient \u00e0 cheminer en compagnie d\u2019Arturo Bandini et sa famille, de […]<\/p>\n","protected":false},"author":3,"featured_media":20005,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,1007,27],"tags":[12104,42,7102],"class_list":{"0":"post-20003","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-carotte-rock-cultures","8":"category-culture-societe","9":"category-litterature","10":"tag-hommage","11":"tag-litterature","12":"tag-roman","13":"post_format-post-format-image"},"yoast_head":"\nJohn FANTE - 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