{"id":19294,"date":"2023-03-28T18:43:59","date_gmt":"2023-03-28T16:43:59","guid":{"rendered":"https:\/\/culturesco.com\/?p=19294"},"modified":"2023-03-28T18:44:27","modified_gmt":"2023-03-28T16:44:27","slug":"bernard-giraudeau-les-dames-de-nage","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2023\/03\/28\/bernard-giraudeau-les-dames-de-nage\/","title":{"rendered":"Bernard GIRAUDEAU – Les Dames de Nage"},"content":{"rendered":"

Bernard GIRAUDEAU – Les Dames de Nage<\/h2>\n

\"Bernard<\/p>\n

Bernard Giraudeau<\/strong> est essentiellement connu pour son jeu d\u2019acteur<\/strong> et les films dans lesquels il a brill\u00e9 : Le Ruffian<\/em><\/a> en compagnie de Lino Ventura (1983), Rue Barbare<\/em><\/a> avec le formidable Bernard-Pierre Donnadieu (1984), Les Sp\u00e9cialistes<\/em><\/a>, comp\u00e8re de G\u00e9rard Lanvin (1985), Ridicule<\/em><\/a> (1996) en abb\u00e9 versificateur et sournois ou Les Caprices d\u2019un Fleuve<\/em><\/a> (1996), qu\u2019il r\u00e9alise.<\/p>\n

Outre ses r\u00f4les au th\u00e9\u00e2tre<\/strong>, il est \u00e9galement l\u2019auteur de deux romans<\/strong> dont Les Dames de Nage<\/em><\/strong>, en 2007, aux \u00e9ditions M\u00e9taili\u00e9.<\/p>\n

\u00ab Tu as \u00e9t\u00e9 cet amour qui brise avec douceur les miroirs, qui d\u00e9v\u00eat d\u2019une caresse invisible le c\u0153ur en armure, et qui me donne cette l\u00e9g\u00e8ret\u00e9, comme une ancre hors le fond qui se d\u00e9nude d\u2019une enveloppe de silice. Je t\u2019ai laiss\u00e9e d\u00e9river mais je sais maintenant qu\u2019il n\u2019y a que moi pour rassembler tant d\u2019amour<\/em> \u00bb<\/h3>\n

Bernard fait preuve d\u2019une \u00e9criture po\u00e9tique<\/strong> de tous les instants<\/strong>, toutes les lignes, tous les paragraphes, tous les chapitres. Il d\u00e9crit aussi bien l\u2019Afrique Noire<\/strong>, le ventre du monde, le S\u00e9n\u00e9gal<\/strong> et sa lat\u00e9rite, terre rouge, terre de poussi\u00e8re, que l\u2019Am\u00e9rique du Sud<\/strong> dans ce qu\u2019elle a de plus pr\u00e9cieux, somme de traditions et d\u2019Amazonie<\/strong>. En passant, il croque un Sarajevo<\/strong> au c\u0153ur de la guerre de briques noircies par le souffle des bombes, les ciments cribl\u00e9s comme autant d\u2019\u00e9crans blancs parcourus d\u2019ailes de papillons rouges sang.<\/strong><\/p>\n

Partout, le<\/strong> personnage principal<\/strong>, un Rochelais<\/strong>, un conteur, comme lui<\/strong>, filme les sc\u00e8nes de la vie, hors poses, au quotidien. Via l\u2019\u0153il de la cam\u00e9ra, il construit sa vie<\/strong>, son histoire, tout autant qu\u2019il reconstitue l\u2019empreinte de Michel, son ami disparu.<\/p>\n

\u00ab Il (Michel) voulait \u00e9crire un livre sur les \u2018peuples peints\u2019 ou \u2018l\u2019art \u00e9ph\u00e9m\u00e8re\u2019. Il lui fallait un pr\u00e9texte pour partir et il est parti un jour en me laissant quelques textes sous le titre \u2018Le Vent Prend Naissance \u00e0 Matam\u2019. Ce cadeau ne pr\u00e9sageait rien de vraiment joyeux, mais je n\u2019ai pos\u00e9 aucune question. Michel s\u2019en allait<\/em> \u00bb<\/h3>\n

Qu\u2019est-ce qui, dans ce r\u00e9cit, rel\u00e8ve de l\u2019autobiographie<\/strong>, du journal<\/strong> ou du roman<\/strong> ? Bernard Giraudeau<\/strong> a parcouru la transamazonienne,<\/strong> cette route qui traverse la for\u00eat primaire. Il y relate une exp\u00e9rience chamanique,<\/strong> l\u2019ingestion de racines sacr\u00e9es puis la transe hypnotique et lysergique<\/strong> qui s\u2019en suivie, guid\u00e9 dans les prismes synaptiques par un savant sorcier.<\/p>\n

Il raconte son ami Di\u00e9go<\/strong>, po\u00e8te, chanteur, homme des hauts plateaux andins,<\/strong> du Chili. L\u2019exil\u00e9 parisien revenu sur les terres ancestrales ne sait plus s\u2019il est l\u2019un ou l\u2019autre, le combattant politique ou l\u2019indien troubadour.<\/strong><\/p>\n

\u00ab Son \u00e9criture est t\u00e9moin, issue des fissures volcaniques et du poudroiement des neiges. Elle est pri\u00e8re. Les mots \u00e9crits doivent \u00eatre dits. Chant d\u2019amour, rivi\u00e8re de cristal, ils irriguent la glaise p\u00e9trifi\u00e9e. Pour la vie, uniquement pour la vie. Pour ne pas oublier, ni le sang, ni la sueur, ni les rires des clowns ouvriers aux visages de salp\u00eatre<\/em> \u00bb<\/h3>\n

Au c\u0153ur et \u00e0 corps du roman, Giraudeau parle des femmes<\/strong>, celles qui l\u2019ont port\u00e9, celles des autres ou qui l\u2019ont simplement crois\u00e9. Les g\u00e9n\u00e9ralit\u00e9s sur le Genre n\u2019ont pas lieu d\u2019\u00eatre dans sa prose. Il \u00e9voque des muses,<\/strong> celles qui comptent, qui colorent l\u2019existence, qui soutiennent et supportent l\u2019\u00e2me du voyageur<\/strong> ; d\u00e9finition de l\u2019homme, en v\u00e9rit\u00e9. Am\u00e9lie, Jo, Margueritte, Ys\u00e9, Croyance et jusqu\u2019\u00e0 Marcia, ce gar\u00e7on \/ femme qui l\u2019a touch\u00e9. Elles sont sans \u00e2ge<\/strong>. Qu\u2019elles pr\u00e9sentent des formes divines ou de laids atours, elles<\/strong> affichent toutes une force dont seules les femmes sont capables<\/strong>, hors la r\u00e9signation du quotidien.<\/p>\n

\u00ab Je vais pouvoir achever l\u2019unique vrai film de ma vie avec les images que je n\u2019ai jamais tourn\u00e9es<\/em> \u00bb<\/h3>\n

Parle-t-il de lui<\/strong>, \u00e9crit-il le livre de sa vie,<\/strong> narre-t-il son v\u00e9cu ? Pour s\u00fbr, des travaux de plume romancent le r\u00e9cit<\/strong>. Dans Les Dames de Nage<\/em><\/strong> et la fa\u00e7on qu\u2019a Bernard Giraudeau de l\u2019\u00e9crire, des couleurs transpirent,<\/strong> des fragrances s\u2019\u00e9l\u00e8vent<\/strong>, le temps recule<\/strong>. R\u00eaver d’ailleurs<\/strong>, ce qu\u2019un lecteur attend d\u2019un livre.<\/p>\n

Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"

Bernard GIRAUDEAU – Les Dames de Nage Bernard Giraudeau est essentiellement connu pour son jeu d\u2019acteur et les films dans lesquels il a brill\u00e9 : Le Ruffian en compagnie de Lino Ventura (1983), Rue Barbare avec le formidable Bernard-Pierre Donnadieu (1984), Les Sp\u00e9cialistes, comp\u00e8re de G\u00e9rard Lanvin (1985), Ridicule (1996) en abb\u00e9 versificateur et sournois […]<\/p>\n","protected":false},"author":3,"featured_media":19295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17,27],"tags":[12104,4171,7102],"class_list":{"0":"post-19294","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-carotte-rock-cultures","8":"category-litterature","9":"tag-hommage","10":"tag-pop-culture","11":"tag-roman","12":"post_format-post-format-image"},"yoast_head":"\nBernard GIRAUDEAU - Les Dames de Nage - Culturesco roman<\/title>\n<meta name=\"description\" content=\"CulturesCo | Les Dames de Nage est un roman po\u00e9tique et aventurier \u00e9crit par Bernard Giraudeau. 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