{"id":18849,"date":"2023-01-18T18:31:43","date_gmt":"2023-01-18T17:31:43","guid":{"rendered":"https:\/\/culturesco.com\/?p=18849"},"modified":"2023-01-18T18:45:02","modified_gmt":"2023-01-18T17:45:02","slug":"james-ellroy-le-quatuor-de-los-angeles","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2023\/01\/18\/james-ellroy-le-quatuor-de-los-angeles\/","title":{"rendered":"James ELLROY – Le Quatuor de Los Angeles"},"content":{"rendered":"

James ELLROY – Le Quatuor de Los Angeles<\/h2>\n

\"James<\/p>\n

Lorsque James Ellroy<\/strong> s\u2019attaque \u00e0 la r\u00e9daction du quatuor de Los Angeles<\/strong>, t\u00e9tralogie qui lui demandera cinq ann\u00e9es de travail entre 1987 et 1991, on compte d\u00e9j\u00e0 un nombre cons\u00e9quents d\u2019ouvrages \u00ab d\u00e9chiquet\u00e9s \u00bb par sa plume<\/strong>, dont la trilogie Lloyd Hopkins. Sans pour autant relever d\u2019une sp\u00e9cialit\u00e9, on l\u2019associe souvent \u00e0 ce mode de publications, des \u00ab s\u00e9rials \u00bb<\/strong> qui se suivent \u00e0 la poursuite d\u2019histoires o\u00f9 certains personnages sont r\u00e9currents<\/strong>. Constante : la noirceur<\/strong>, l\u2019introspection et la violence des relations humaines<\/strong> mises en pr\u00e9sence.<\/p>\n

\u00ab En remontant dans le pass\u00e9, en ne cherchant que les faits, je l’ai reconstruite, petite fille triste et putain, au mieux quelqu’un-qui-aurait-pu-\u00eatre, \u00e9tiquette qui pourrait tout autant s’appliquer \u00e0 moi. J’aurais souhait\u00e9 pouvoir lui accorder une fin anonyme, la rel\u00e9guer aux quelques mots laconiques du rapport final d’un Inspecteur de la Criminelle, avec copie carbone pour le Bureau du Coroner, et quelques formulaires suppl\u00e9mentaires avant qu’on ne l’emm\u00e8ne \u00e0 la fosse commune<\/em> \u00bb (Le Dahlia Noire).<\/h3>\n

Pour qualifier les relations<\/strong> qui unissent citoyens, flics et malfrats<\/strong>, les \u00ab mots \u00bb<\/strong> d\u2019Ellroy \u00e9voquent des \u00ab maux \u00bb<\/strong> : Collusion \u2013 Extorsion \u2013 Intimidation \u2013 Corruption – contrainte \u2013 Cooptation \u2013 R\u00e9torsion \u2013 Prox\u00e9n\u00e9tisme \u2013 R\u00e9demption \u2013 Voyeurisme \u2013 Coercition \u2013 Torture, des rapports frontaux.<\/strong><\/p>\n

De la trag\u00e9die initiale du Dahlia Noir<\/em><\/strong> \u00e0 l\u2019explosion finale de White Jazz<\/em><\/strong>, Ellroy change de style d\u2019\u00e9criture<\/strong>. Il passe de la narration \u00e0 la premi\u00e8re personne<\/strong> du singulier, \u00ab je \u00bb, \u00e0 une lac\u00e9ration du texte au scalpel<\/strong>, relatant souvent les faits via les titres et articles<\/strong> d\u2019un \u00ab torchon \u00bb de la presse \u00e0 scandale<\/strong>. Les coups de poing<\/strong> – am\u00e9ricains bien s\u00fbr \u2013 se succ\u00e8dent, les \u00e9coutes licencieuses<\/strong> ouvrent aux matraquages<\/strong>, les couteaux<\/strong> d\u00e9coupent les chairs, les prostitu\u00e9s servent de cendriers<\/strong>.<\/p>\n

\u00ab \u00c7a empira \u2013 les vraies chocottes. Meeks d\u00e9posa son arsenal sur le rebord d\u2019une fen\u00eatre et bourra ses poches de munitions : balles pour le .38 et chargeurs de rechange pour l\u2019automatique. Il fourra le cran d\u2019arr\u00eat dans sa ceinture, couvrit la fen\u00eatre arri\u00e8re avec le matelas, entrouvrit la fen\u00eatre de fa\u00e7ade pour un peu d\u2019air<\/em> \u00bb (L.A. Confidential<\/a>).<\/h3>\n

A une \u00e9poque o\u00f9 je bosse du \u00ab matin \u00bb ou du \u00ab soir \u00bb<\/strong>, me voil\u00e0 sur les champs Elys\u00e9e, direction feu le Virgin M\u00e9gastore. En mal de sens<\/strong> \u00e0 donner \u00e0 ma vie<\/strong>, je vais chercher de quoi vivre celles des autres.<\/strong> Un bouquin<\/strong>, un disque<\/strong>, des histoires musicales<\/strong> ou sur papier imprim\u00e9<\/strong>. Le Virgin se situe \u00e0 l\u2019emplacement d\u2019une ancienne banque. J\u2019aime bien la porte du coffre-fort qu\u2019ils ont laiss\u00e9s au sous-sol, au rayon \u00ab livre \u00bb<\/strong>. Je descends l’escalier et \u2026 mais \u2026 c\u2019est lui !<\/strong> Tout seul, pench\u00e9 au-dessus d\u2019une table o\u00f9 s\u2019empilent des exemplaires de son dernier ouvrage, James Ellroy<\/strong>, un am\u00e9ricain \u00e0 Paris.<\/strong><\/p>\n

\"James<\/p>\n

Il griffe d\u2019un stylo la premi\u00e8re page de Ma Part d\u2019Ombre<\/em><\/strong> (1996), l\u2019enqu\u00eate qu\u2019il a r\u00e9alis\u00e9e<\/strong> concernant l\u2019assassinat de sa m\u00e8re<\/strong> en 1958. Pour un auteur de thrillers, du v\u00e9cu<\/strong> \u2026 Comme pour beaucoup, lorsqu\u2019on se trouve face \u00e0 un type qu\u2019on admire pour son art, je reste tout con<\/strong>. Je me d\u00e9merde pour lui baragouiner en anglais<\/strong> que j\u2019ai lu l\u2019int\u00e9gralit\u00e9 de ce qu\u2019il a produit<\/strong> jusque-l\u00e0, il me demande mon pr\u00e9nom et d\u00e9dicace l\u2019exemplaire<\/strong> dont je m\u2019empare. Fin de la s\u00e9quence<\/strong>. Sa signature ? J\u2019aurai pu la faire moi-m\u00eame. Peu importe. Apr\u00e8s \u00e7a<\/strong>, \u00e0 chaque fois que j\u2019ouvre un de ses livres<\/strong>, les mots jaillissent de sa bouche.<\/strong><\/p>\n

\u00ab Les hommes de la morgue charg\u00e8rent le corps, firent demi-tour et s\u2019\u00e9loign\u00e8rent sans sir\u00e8ne. Un principe de Vollmer lui revint en m\u00e9moire : \u2018Dans les meurtres de passion exacerb\u00e9e, l\u2019assassin trahit toujours sa pathologie. Si l\u2019enqu\u00eateur accepte de faire la part objective des preuves tangibles et ensuite r\u00e9fl\u00e9chit de mani\u00e8re subjective en se pla\u00e7ant du point de vue de l\u2019assassin, il r\u00e9ussira fr\u00e9quemment \u00e0 r\u00e9soudre des crimes dont le c\u00f4t\u00e9 hasardeux et al\u00e9atoire est d\u00e9concertant de prime abord\u2019<\/em> \u00bb (Le Grand Nulle Part).<\/h3>\n

On dit d\u2019Ellroy<\/strong> que ses r\u00e9cits t\u00e9moignent de la com\u00e9die humaine<\/a><\/strong>. En cela, on l\u2019identifie comme le Balzac du vingti\u00e8me si\u00e8cle.<\/strong> Est-il sensible<\/strong> aux boniments, aux flatteries, \u00e0 la \u00ab l\u00e8che \u00bb ?<\/strong> Lorsque vous regardez ce type<\/strong>, il apparait tel un bloc de granit<\/strong>, grand, droit, s\u00e9v\u00e8re<\/strong>, le prof de litt\u00e9rature anglaise qui va vous bassiner avec Joyce, Blake ou Pope. En fait, sans certitude, il rel\u00e8ve plut\u00f4t d\u2019Orwell, <\/strong>de Chandler<\/strong>, de ces \u00e9crivains qui soul\u00e8vent les pierres pour observer ce qui se passe en dessous,<\/strong> conteurs du monde interlope \u2026 le n\u00f4tre.<\/strong><\/p>\n

\u00ab Pete qui s’accroupit. Chick qui tremble, de la t\u00eate aux pieds, il y a de quoi : des poings g\u00e9ants, serr\u00e9s devant les yeux. Son baratin tout pr\u00eat – Pete le joyeux :<\/em>
\n– Le gauche, c’est l’h\u00f4pital, le droit, la morgue. Le droit supprime l’existence, le gauche te coupe le souffle. Ces mains-l\u00e0, c’est des porte-malheur, mon gars, c’est la guigne et le guignon, c’est les dents du d\u00e9mon qui te raclent la couenne quand y d\u00e9vale le tuyau de po\u00eale<\/em> \u00bb (White Jazz).<\/h3>\n

Si<\/strong> son style narratif peut ne pas plaire,<\/strong> ne pas n\u00e9gliger Ellroy<\/strong> au pr\u00e9texte que : \u00ab Quelqu\u2019un m\u2019a dit \u2026<\/em> \u00bb. Depuis quand l\u2019avis d\u2019un p\u00e9kin vaut-il pour toi-m\u00eame ? Je vais te dire, t\u2019as int\u00e9r\u00eat \u00e0 tracer chez le libraire<\/strong>, te sortir les doigts du cul et te payer un exemplaire<\/strong>. Lequel ? Te fous pas d\u2019ma gueule, t\u2019en as quatre dessin\u00e9s plus haut. T\u2019as pas de bl\u00e9 ? T\u2019as qu\u2019\u00e0 le voler \u2026<\/strong><\/p>\n

Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"

James ELLROY – Le Quatuor de Los Angeles Lorsque James Ellroy s\u2019attaque \u00e0 la r\u00e9daction du quatuor de Los Angeles, t\u00e9tralogie qui lui demandera cinq ann\u00e9es de travail entre 1987 et 1991, on compte d\u00e9j\u00e0 un nombre cons\u00e9quents d\u2019ouvrages \u00ab d\u00e9chiquet\u00e9s \u00bb par sa plume, dont la trilogie Lloyd Hopkins. Sans pour autant relever d\u2019une […]<\/p>\n","protected":false},"author":3,"featured_media":18850,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,23,1007,27],"tags":[42,64],"class_list":{"0":"post-18849","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-carotte-rock-cultures","8":"category-chroniques-litteraires","9":"category-culture-societe","10":"category-litterature","11":"tag-litterature","12":"tag-societe","13":"post_format-post-format-image"},"yoast_head":"\nJames ELLROY - Le Quatuor de Los Angeles - Culturesco Thriller<\/title>\n<meta name=\"description\" content=\"CulturesCo | Le Quatuor de Los Angeles est une t\u00e9tralogie \u00e9crite par James Ellroy, le ma\u00eetre du roman noir. \u00c2mes sensibles s'abstenir.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturesco.com\/index.php\/2023\/01\/18\/james-ellroy-le-quatuor-de-los-angeles\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"James ELLROY - 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