{"id":18474,"date":"2022-12-01T19:29:13","date_gmt":"2022-12-01T18:29:13","guid":{"rendered":"https:\/\/culturesco.com\/?p=18474"},"modified":"2022-12-01T19:29:13","modified_gmt":"2022-12-01T18:29:13","slug":"ozzy-osbourne-the-diary-of-ozz","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2022\/12\/01\/ozzy-osbourne-the-diary-of-ozz\/","title":{"rendered":"Ozzy OSBOURNE &#8211; The Diary Of Ozz"},"content":{"rendered":"<h2>Ozzy OSBOURNE &#8211; The Diary Of Ozz<\/h2>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-18475 aligncenter\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=607%2C334&#038;ssl=1\" alt=\"Ozzy Osbourne\" width=\"607\" height=\"334\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=300%2C165&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=768%2C421&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=696%2C382&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=1068%2C586&amp;ssl=1 1068w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=766%2C420&amp;ssl=1 766w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=109%2C60&amp;ssl=1 109w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Front.jpg?resize=164%2C90&amp;ssl=1 164w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/p>\n<p style=\"text-align: justify;\"><em>The Diary Of Ozz<\/em>, que nous aurions tout aussi bien pu titrer <em>The Blizzard Of a Madman<\/em>, revient sur <strong>les deux premiers albums d\u2019Ozzy Osbourne<\/strong>, la \u00ab gargouille \u00bb du <strong>hard rock heavy m\u00e9tallis\u00e9<\/strong>. Pourquoi ces deux-l\u00e0 (pour rappel : <strong><em>Blizzard Of Ozz<\/em><\/strong> &#8211; 1980 et <strong><em>Diary Of A Madman<\/em><\/strong> &#8211; 1981) ? Et bien parce qu\u2019<strong>on y trouve deux canons du genre,<\/strong> deux <strong>p\u00e9pites hard rock \/ heavy metal<\/strong> qu\u2019Ozzy ne parviendra plus \u00e0 \u00e9galer, si ce n\u2019est, peut-\u00eatre, une ultime fois, dix ans plus tard, en ouverture de<strong><em> No More Tears<\/em><\/strong> (1991).<\/p>\n<p style=\"text-align: justify;\"><strong>Qu\u2019elles sont-elles ces chansons c\u00e9l\u00e9br\u00e9es<\/strong> par le chroniqueur au d\u00e9sespoir de leurs cons\u0153urs ? Dans l\u2019ordre de parution : \u00ab <strong>Mr Crowley<\/strong> \u00bb, \u00ab <strong>Diary Of A Madman<\/strong> \u00bb et \u00ab <strong>Mr Tinkertrain<\/strong> \u00bb. Des voix qui s\u2019\u00e9l\u00e8vent, des remarques ? Partialit\u00e9 revendiqu\u00e9e, on n\u2019en a cure, d\u2019autant plus que si d\u2019autres chansons pourraient \u00eatre cit\u00e9es, il faudrait \u00eatre sourd pour ne pas <strong>b\u00e9atifier ces trois-l\u00e0<\/strong>. Comme nous ne sommes pas atteint de surdit\u00e9, parmi ces autres, <strong>lorsque le train s\u2019affole \u2026<\/strong><\/p>\n<h3>Ozzy OSBOURNE &#8211; Crazy Train<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"Ui79Uf817YA\"><iframe loading=\"lazy\" title=\"Crazy Train Live in 1981\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/Ui79Uf817YA\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Certes, on a d\u00e9j\u00e0 dissert\u00e9 ici ou ailleurs des qualit\u00e9s de ces compositions. Tr\u00e8s souvent, l\u2019\u00e9vocation de <strong>Randy Rhoads<\/strong> en est \u00e0 l\u2019origine. Guitariste \u00e9m\u00e9rite, on a depuis sa disparition (mars 1982) entendu moult bretteurs jouer \u00e0 l\u2019\u00e9gal de son talent, <strong>technique, feeling et inventivit\u00e9.<\/strong> Par contre, du point de vue composition, beaucoup enfilent des riffs en cascades, d\u00e9florant leurs manches \u00e0 10 000 tours minute pour un pauvre r\u00e9sultat ; harmonique et\/ou m\u00e9lodique. Il en va tout autrement de \u00ab <strong>Mr Crowley<\/strong> \u00bb et \u00ab <strong>Diary Of A Madman<\/strong> \u00bb, <strong>monuments<\/strong> d\u2019une pr\u00e9cision diabolique \u00e9rig\u00e9s tant <strong>\u00e0 la gloire de la musique \u00e9lectrique<\/strong> qu\u2019\u00e0 celle <strong>de<\/strong> <strong>leur g\u00e9niteur<\/strong> et <strong>du<\/strong> <strong>chanteur qui les porte<\/strong>.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-18476 aligncenter\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=592%2C296&#038;ssl=1\" alt=\"Ozzy Osbourne\" width=\"592\" height=\"296\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=768%2C383&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=696%2C347&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=842%2C420&amp;ssl=1 842w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=120%2C60&amp;ssl=1 120w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Albums.jpg?resize=180%2C90&amp;ssl=1 180w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><\/p>\n<p style=\"text-align: justify;\">En <strong>1980<\/strong>, lorsqu\u2019<strong>Ozzy<\/strong> produit son <strong>premier effort en solo<\/strong>, il a quitt\u00e9 Black Sabbath depuis deux ans d\u00e9j\u00e0. Sans doute en a-t-il profit\u00e9 pour se refaire une sant\u00e9 qu\u2019il s\u2019empressera de red\u00e9molir sous peu. Mais pour l\u2019heure, <strong>moment de gr\u00e2ce<\/strong>, \u00ab <strong>Crazy Train<\/strong> \u00bb et \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=pnhTPeKijdQ\" target=\"_blank\" rel=\"noopener\"><strong>Goodbye to Romance<\/strong><\/a> \u00bb surgissent des studios d\u2019enregistrement. Surtout, \u00ab <strong>Mr Crowley<\/strong> \u00bb, la Magnifique, vient <strong>terrasser l\u2019adversit\u00e9<\/strong>.<\/p>\n<h3>Mr Crowley<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"G3LvhdFEOqs\"><iframe loading=\"lazy\" title=\"OZZY OSBOURNE - &quot;Mr. Crowley&quot; 1981 (Live Video)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/G3LvhdFEOqs\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Avec <strong><em>Blizzard Of Ozz<\/em><\/strong> (sorti en septembre), Ozzy parvient \u00e0 <strong>d\u00e9fier ses ex partenaires<\/strong> sur leur terrain. Pourtant, en avril de la m\u00eame ann\u00e9e, <strong>Black Sabbath<\/strong> a fourbi un bien bel album, <strong><em>Heaven and Hell,<\/em><\/strong> o\u00f9 performe le fantastique <a href=\"https:\/\/www.youtube.com\/watch?v=RVUK2rtAkJE\" target=\"_blank\" rel=\"noopener\">Ronnie James Dio<\/a>. L\u2019ann\u00e9e suivante, en <strong>1981<\/strong>, comme s\u2019ils se \u00ab tiraient la bourre \u00bb,<strong> les fr\u00e8res ennemis font <\/strong>\u00e0 nouveau<strong> jeu \u00e9gal<\/strong>. Leurs albums respectifs, <a href=\"https:\/\/www.youtube.com\/watch?v=rkMwrnQ1erg\" target=\"_blank\" rel=\"noopener\"><strong><em>Mob Rules<\/em><\/strong><\/a> pour Sabbath, paru le 4 novembre, <strong><em>Diary Of A Madman<\/em><\/strong> chez Osbourne, le 7 du m\u00eame mois, <strong>rivalisent de qualit\u00e9<\/strong>.<\/p>\n<h3>Ozzy OSBOURNE &#8211; Diary Of A Madman<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"pvydib00yXk\"><iframe loading=\"lazy\" title=\"Diary Of A Madman\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/pvydib00yXk\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">\u00ab <strong>Diary Of A Madman<\/strong> \u00bb, la chanson, cl\u00f4t le deuxi\u00e8me Lp de l\u2019artiste solo, choix judicieux dans la mesure o\u00f9 ce titre \u00e0 tiroirs <strong>supplante le reste du disque<\/strong>. On y retrouve l\u2019<strong>esprit \u00e9pique<\/strong> qui caract\u00e9rise celle qui l\u2019a pr\u00e9c\u00e9d\u00e9e. Mais avant d\u2019en \u00e9crire davantage, penchons-nous sur leur \u00ab cadette \u00bb, <strong>Mr Tinkertrain<\/strong> \u00bb.<\/p>\n<h3>Bark At The Moon<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"LplPi2CxNHI\"><iframe loading=\"lazy\" title=\"Ozzy Osbourne - Bark at the Moon (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/LplPi2CxNHI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong>Apr\u00e8s deux albums<\/strong> r\u00e9alis\u00e9s <strong>en compagnie<\/strong> du talentueux <strong>Jake E. Lee<\/strong>, qui, cela dit, fera de biens meilleurs choses avec <a href=\"https:\/\/www.youtube.com\/watch?v=RnpLOOLCmjE\" target=\"_blank\" rel=\"noopener\">Badlands<\/a> (un merveilleux album \u00e9ponyme en 1989), le fougueux <strong>Zakk Wylde<\/strong> <strong>entre en jeu<\/strong>. Une premi\u00e8re collaboration moyenne est suivie d\u2019une <strong>tornade r\u00e9surrectionnelle<\/strong>, <strong><em>No More Tears<\/em><\/strong> (1991). \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=8d6AgoFStFQ\" target=\"_blank\" rel=\"noopener\">I Don\u2019t Want To Change The World<\/a> \u00bb, \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=zw79RVnlCb0\" target=\"_blank\" rel=\"noopener\">Hellraiser<\/a> \u00bb et \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=K0siYUjV9UM\" target=\"_blank\" rel=\"noopener\">Mama I\u2019m Coming Home<\/a> \u00bb, \u00e9crit <strong>avec l\u2019aide de Lemmy Kilmister,<\/strong> sont d\u2019une <strong>toute autre trempe<\/strong> que les brouettes de riffs remplissant les pr\u00e9c\u00e9dentes livraisons. Et puis, en ouverture, il y a \u00ab <strong>Mr Tinkertrain<\/strong> \u00bb,<strong> all\u00e9gorie horrifique<\/strong> digne d\u2019un Alice Cooper et son \u00ab<a href=\"https:\/\/www.youtube.com\/watch?v=Kt5Y__olA80\" target=\"_blank\" rel=\"noopener\"> Steven<\/a> \u00bb (album <em>Welcome To My Nightmare<\/em> &#8211; 1975). Bien qu\u2019elle ne poss\u00e8de pas l\u2019emphase de ses a\u00een\u00e9es, elle s\u2019affirme tel <strong>un nouveau classique<\/strong>.<\/p>\n<h3>Ozzy OSBOURNE &#8211; Mr Tinkertrain<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"fy5L97Obq1k\"><iframe loading=\"lazy\" title=\"OZZY OSBOURNE - &quot;Mr. Tinkertrain&quot; (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/fy5L97Obq1k\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Les <strong>trois morceaux<\/strong> pr\u00e9sentent des<strong> structurations quasi similaires<\/strong>, notamment une <strong>longue introduction.<\/strong> Le premier de ces messieurs est servi au <strong>synth\u00e9<\/strong>, le second \u00e0 la <strong>guitare<\/strong>, le dernier via une sorte de <strong>comptine enfantine<\/strong> baign\u00e9 de cris d\u2019enfants. \u00ab De ces messieurs \u00bb ? En effet, chacune des chansons relate <strong>les errements d\u2019un personnage masculin<\/strong> pour le moins \u00ab <strong>malveillant<\/strong> \u00bb, le plus inavouable des trois \u00e9tant \u00ab <strong>Mr Tinkertrain<\/strong> \u00bb, <strong>personnage r\u00e9pugnant<\/strong> semble-t-il p\u00e9dophile. <strong>Ozzy Osbourne, \u00e0 des miles du politiquement correcte.<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-18477 aligncenter\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=620%2C310&#038;ssl=1\" alt=\"Ozzy Osbourne\" width=\"620\" height=\"310\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=696%2C348&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=840%2C420&amp;ssl=1 840w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=120%2C60&amp;ssl=1 120w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/12\/Ozzy-OSBOURNE-Inner.jpg?resize=180%2C90&amp;ssl=1 180w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p style=\"text-align: justify;\">Dans leurs d\u00e9veloppements, les titres pr\u00e9sentent <strong>des mont\u00e9es en puissance<\/strong>, des <strong>changements de rythmes<\/strong>, des <strong>breaks et\/ou ponts<\/strong> et, <strong>pour les deux plus anciens, un aspect symphonique<\/strong>. Ce dernier point image pr\u00e9cis\u00e9ment <strong>le travail de Randy Rhoads<\/strong>, guitariste de <strong>hard rock<\/strong> mais, comme <a href=\"https:\/\/www.youtube.com\/watch?v=50ZCUezGfkA\" target=\"_blank\" rel=\"noopener\">Ritchie Blackmore<\/a>, <strong>\u00e9pris de musique classique<\/strong>, voire m\u00e9di\u00e9vale (?).<\/p>\n<h3>Randy RHOADS &#8211; Dee<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"216_wkEgPg4\"><iframe loading=\"lazy\" title=\"Dee (Randy Rhoads Studio Out-Takes)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/216_wkEgPg4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Comparer ces <strong>\u00e9crins de chaleur ceints d\u2019un costume analogique<\/strong> au <strong>\u00ab bourbier \u00bb num\u00e9rique<\/strong> gans\u00e9 d\u2019une <strong>enveloppe uniformisant les sons<\/strong>, \u00e9cr\u00eatant les \u00ab anormalit\u00e9s \u00bb, ces moments qui donnent tout leur sel aux interpr\u00e9tations, alimente-il le sentiment du \u00ab <strong><em>C\u2019\u00e9tait mieux avant<\/em><\/strong> \u00bb ?<\/p>\n<p style=\"text-align: justify;\"><strong>Ozzy<\/strong> vient de sortir un nouvel Lp : <a href=\"https:\/\/www.youtube.com\/watch?v=CP6a649zk9M\" target=\"_blank\" rel=\"noopener\"><strong><em>Patient Number 9<\/em><\/strong><\/a>. Ce n\u2019est pas que cet album soit \u00ab mauvais \u00bb, c\u2019est que <strong>sa lin\u00e9arit\u00e9<\/strong>, conf\u00e8re le <strong>refrain convenu<\/strong> de la chanson titre et le <strong>son \u00e9norme et sans asp\u00e9rit\u00e9s<\/strong> qui caract\u00e9rise tout l\u2019album, finit par <strong>lasser l\u2019auditorat<\/strong>. Tous les guests du monde, aussi prestigieux soient-ils, Jeff Beck en exemple, n\u2019y changent rien. Constatation faite, peut-on nuancer le \u00ab <em>C\u2019\u00e9tait mieux avant<\/em> \u00bb en \u00ab <strong><em>C\u2019est dans les vieux pots qu\u2019on fait la meilleure soupe<\/em><\/strong> \u00bb ?<\/p>\n<p style=\"text-align: justify;\">\u00ab <strong>Mr Crowley<\/strong> \u00bb et \u00ab <strong>Diary Of A Madman<\/strong> \u00bb, deux <strong>grenades \u00e0 fragmentation<\/strong>. Depuis leur d\u00e9goupillage jusqu\u2019\u00e0 nos jours, <strong>on vibre \u00e0 leurs \u00e9clats<\/strong>.<\/p>\n<p>Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ozzy OSBOURNE &#8211; The Diary Of Ozz The Diary Of Ozz, que nous aurions tout aussi bien pu titrer The Blizzard Of a Madman, revient sur les deux premiers albums d\u2019Ozzy Osbourne, la \u00ab gargouille \u00bb du hard rock heavy m\u00e9tallis\u00e9. Pourquoi ces deux-l\u00e0 (pour rappel : Blizzard Of Ozz &#8211; 1980 et Diary Of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":18475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[30,17,36],"tags":[37,52,50,48],"class_list":["post-18474","post","type-post","status-publish","format-image","has-post-thumbnail","category-albums-rock","category-carotte-rock-cultures","category-groupes-rock-daujourdhui","tag-album-rock","tag-groupe-rock-actuel","tag-hard-rock","tag-personnalite-rock","post_format-post-format-image"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ozzy OSBOURNE - The Diary Of Ozz - Culturesco hard rock<\/title>\n<meta name=\"description\" content=\"CulturesCo | Ozzy Osbourne, l\u00e9gende du heavy rock, a livr\u00e9 deux p\u00e9pites via Randy Rhoads : Mr Crowley et Diary Of A Madman. 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