{"id":18005,"date":"2022-10-11T19:55:12","date_gmt":"2022-10-11T17:55:12","guid":{"rendered":"https:\/\/culturesco.com\/?p=18005"},"modified":"2022-10-11T19:55:12","modified_gmt":"2022-10-11T17:55:12","slug":"ludwig-van-beethoven-la-pastorale","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2022\/10\/11\/ludwig-van-beethoven-la-pastorale\/","title":{"rendered":"Ludwig Van BEETHOVEN &#8211; La Pastorale"},"content":{"rendered":"<h2>Ludwig Van BEETHOVEN &#8211; La Pastorale<\/h2>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-18006 aligncenter\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=594%2C319&#038;ssl=1\" alt=\"Ludwig Van Beethoven\" width=\"594\" height=\"319\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=300%2C161&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=768%2C413&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=696%2C375&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=1068%2C575&amp;ssl=1 1068w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=780%2C420&amp;ssl=1 780w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=111%2C60&amp;ssl=1 111w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2022\/10\/LV-Beethoven-la-Pastorale.jpg?resize=167%2C90&amp;ssl=1 167w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>La 6\u00e8me Symphonie<\/strong> en Fa majeur op.68, <strong>dite \u00ab Pastorale \u00bb<\/strong>, de <strong>Ludwig Van Beethoven<\/strong> est essentiellement <strong>connue du grand public<\/strong> pour son <strong>premier mouvement<\/strong>. Le compositeur a lui-m\u00eame <strong>intitul\u00e9 cette pi\u00e8ce<\/strong> : \u00ab Erwachen heiterer Empfindungenbei der Ankkunft auf dem Lande \u00bb, soit, pour celles et ceux qui n\u2019ont pas fait allemand premi\u00e8re langue : \u00ab <strong>R\u00e9veil de sensations sereines en arrivant \u00e0 la campagne<\/strong> \u00bb, ou quelque chose d\u2019approchant. Limpide,<strong> telle l&rsquo;\u00e9vidence<\/strong>, c\u2019est exactement <strong>l\u2019image qu\u2019elle renvoie<\/strong>. Comment Ludwig Van s\u2019y est-il pris pour cr\u00e9er de telles sensations via un assemblage de<strong> notes sur une partition ?<\/strong><\/p>\n<p style=\"text-align: justify;\">D\u2019un<strong> point de vue \u00ab rythmique \u00bb<\/strong>, ce premier mouvement est identifi\u00e9 \u00ab <strong>Allegro ma non troppo<\/strong> \u00bb. Cela se traduit par des <strong>mont\u00e9es inexorables \u00e0 la rencontre du ciel<\/strong>, \u00ab allegro \u00bb, en alternance avec des<strong> temps ouverts aux accalmies<\/strong>, \u00ab ma non troppo \u00bb. O\u00f9 le compositeur expose tout <strong>son g\u00e9nie<\/strong>, c\u2019est dans la <strong>r\u00e9p\u00e9tition calcul\u00e9e de ces oppos\u00e9s<\/strong>. Nous passons du <strong>torrent courant sur les pentes d\u2019un flanc montagneux<\/strong> \u00e0 <strong>la paresse d\u2019une eau languide<\/strong> ; des <strong>bourrasques de vents ascendant<\/strong>s font place au <strong>souffle l\u00e9ger d\u2019une brise aliz\u00e9enne<\/strong>.<\/p>\n<h3>Ludwig Van Beethoven &#8211; 1er Mouvement de la Symphonie Pastorale<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"pSEDRvNkw7I\"><iframe loading=\"lazy\" title=\"Ludwig Van Beethoven - Symphony No  6, Op 68 - 1st Movement\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/pSEDRvNkw7I\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Essentiellement compos\u00e9e en <strong>mode majeur<\/strong>, l\u2019essence <strong>joyeuse et guillerette<\/strong> qui caract\u00e9rise cette symphonie <strong>se transmet \u00e0 l\u2019auditeur<\/strong> d\u00e8s la premi\u00e8re \u00e9coute.<strong> \u00c9crite<\/strong> entre deux \u00e9t\u00e9s, <strong>de 1807 \u00e0 1808<\/strong>, elle loue les capacit\u00e9s de <strong>Beethoven \u00e0 g\u00e9n\u00e9rer un maelstrom m\u00e9lodique<\/strong> alors qu\u2019il <strong>souffre concomitamment d\u2019acouph\u00e8nes<\/strong> ; et ce depuis 1796.<\/p>\n<p style=\"text-align: justify;\"><strong>La musique transpire la nature de tous ses pores<\/strong>. Des coquelicots aux bouches offertes accueillent le vol gracieux des monarques, <strong>des champs de bl\u00e9 feulent sous le vent<\/strong> d\u2019Ouest, les <strong>feuilles des tilleuls argent\u00e9s bruissent<\/strong> de concert. Une rivi\u00e8re limpide clapote gaiement sur les galets qui jonchent son lit, <strong>la cime des ifs en mouvement rythme le sifflement des oiseaux.<\/strong><\/p>\n<h3>3\u00e8me Mouvement de la Symphonie Pastorale<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"W3XOfkSYNWo\"><iframe loading=\"lazy\" title=\"Beethoven - Symphony No.6 in F major op.68 &quot;Pastorale&quot; - III, Allegro\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/W3XOfkSYNWo\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Plus jeune, <strong>Joseph Haydn prend Beethoven sous son ail<\/strong>e. Le <strong>sentiment qu\u2019exprime l\u2019autrichien<\/strong> \u00e0 l\u2019\u00e9gard de son \u00e9l\u00e8ve allemand s\u2019apparente alors \u00e0 l\u2019intrigue du film <a href=\"https:\/\/www.youtube.com\/watch?v=r7kWQj9FCGY\" target=\"_blank\" rel=\"noopener\"><em>Amadeus<\/em><\/a> (1984) de Milos Forman. Il manifeste une <strong>attirance \/ r\u00e9pulsion<\/strong> semblable \u00e0 celle qu\u2019\u00e9prouve Salieri pour Mozart. Haydn semble <strong>jalouser les dispositions es composition de Beethoven<\/strong> ou lorsque <strong>l\u2019\u00e9l\u00e8ve d\u00e9passe le ma\u00eetre<\/strong>. Qui est le meilleur ? Il se dit que la fa\u00e7on du premier transpara\u00eetrait chez le second. <strong><em>La Pastorale<\/em><\/strong>, inspir\u00e9e des <a href=\"https:\/\/www.youtube.com\/watch?v=s-PRlV9HcN0\" target=\"_blank\" rel=\"noopener\"><em>Saisons<\/em><\/a> d\u2019Haydn ? <strong>La musique n\u2019est pas une comp\u00e9tition.<\/strong><\/p>\n<h3>Ludwig Van Beethoven &#8211; 1er Mouvement de la Pastorale en concert<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"m81VOP6dEV8\"><iframe loading=\"lazy\" title=\"Beethoven: Symphony No. 6, 1st movement | Paavo J\u00e4rvi &amp; the Deutsche Kammerphilharmonie Bremen\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/m81VOP6dEV8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong>En fonction du chef d\u2019orchestre<\/strong> qui anime cette <strong>divine pi\u00e8ce introductive,<\/strong> elle s\u2019\u00e9tire sur <strong>plus ou moins dix minutes<\/strong> ; l\u2019<strong>\u00e9cart<\/strong> le plus marqu\u00e9 \u00e9tant <strong>de quatre minutes<\/strong> (au total, entre neuf et treize minutes) ! Alors, suivant <strong>que vous appr\u00e9ciez une interpr\u00e9tation rapide ou plus lente<\/strong>, le choix vous est laiss\u00e9. <strong>Seule importance<\/strong>, que vous <strong>la jouiez<\/strong>.<\/p>\n<p>Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ludwig Van BEETHOVEN &#8211; La Pastorale La 6\u00e8me Symphonie en Fa majeur op.68, dite \u00ab Pastorale \u00bb, de Ludwig Van Beethoven est essentiellement connue du grand public pour son premier mouvement. Le compositeur a lui-m\u00eame intitul\u00e9 cette pi\u00e8ce : \u00ab Erwachen heiterer Empfindungenbei der Ankkunft auf dem Lande \u00bb, soit, pour celles et ceux qui [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":18006,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"jetpack_post_was_ever_published":false,"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,14353],"tags":[12104],"class_list":{"0":"post-18005","1":"post","2":"type-post","3":"status-publish","4":"format-image","5":"has-post-thumbnail","7":"category-carotte-rock-cultures","8":"category-musique-classique","9":"tag-hommage","10":"post_format-post-format-image"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ludwig Van BEETHOVEN - La Pastorale - Culturesco classique<\/title>\n<meta name=\"description\" content=\"CulturesCo | La Symphonie n\u00b06 de Ludwig Van Beethoven, la &quot;Pastorale&quot;, pr\u00e9sente un premier mouvement merveilleux, canonisable. 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