{"id":14136,"date":"2021-05-09T20:04:27","date_gmt":"2021-05-09T18:04:27","guid":{"rendered":"https:\/\/culturesco.com\/?p=14136"},"modified":"2021-05-09T22:52:19","modified_gmt":"2021-05-09T20:52:19","slug":"franz-schubert-les-impromptus-par-a-brendel-musique-classique-piano","status":"publish","type":"post","link":"https:\/\/culturesco.com\/index.php\/2021\/05\/09\/franz-schubert-les-impromptus-par-a-brendel-musique-classique-piano\/","title":{"rendered":"Franz SCHUBERT &#8211; Les Impromptus par A. Brendel"},"content":{"rendered":"<h2>Franz SCHUBERT &#8211; Les Impromptus par A. Brendel<\/h2>\n<p><a href=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-14137\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?resize=519%2C277&#038;ssl=1\" alt=\"Franz Schubert\" width=\"519\" height=\"277\" srcset=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?resize=300%2C160&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?resize=768%2C410&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?resize=696%2C372&amp;ssl=1 696w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?resize=786%2C420&amp;ssl=1 786w, https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Front.jpg?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">G\u00e9rard Depardieu, face cam\u00e9ra, dans <a href=\"https:\/\/www.youtube.com\/watch?v=oXWX_WKOezY\" target=\"_blank\" rel=\"noopener\"><em>Trop Belle Pour Toi<\/em><\/a> : \u00ab <em>Y\u2019en a marre de Schubert<\/em> \u00bb. A ce moment du film, pour accompagner la sc\u00e8ne, l\u2019<strong>Impromptu Op. 90 D. 899 &#8211; n\u00b03 en Sol b\u00e9mol<\/strong> de <strong>Franz Schubert<\/strong> transcende la pellicule, magnifie le jeu de l\u2019acteur, chavire le spectateur.<\/p>\n<p style=\"text-align: justify;\">L\u2019impromptu dont il s\u2019agit<strong> \u00e9voque la nostalgie<\/strong>, pr\u00e9cipite un \u00e9tat \u00e9motionnel qui <strong>exalte les sentiments les plus profonds<\/strong>. Ses notes descendent au c\u0153ur du cerveau reptilien, <strong>au plus pr\u00e8s de l\u2019\u00e2me<\/strong> de qui l\u2019\u00e9coute. Il joue la partition de ce que nous f\u00fbmes, ce que nous sommes et ce que nous serons. Le <strong>bouleversant<\/strong> \u00e9tat dans lequel il plonge, fige <strong>l\u2019esprit<\/strong>, comme <strong>en suspens<\/strong>, le charme n\u2019\u00e9tant rompu que par la volont\u00e9 d\u2019y \u00e9chapper. Pi\u00e8ge musical redoutable, <strong>addictif \u00e0 l\u2019exc\u00e8s<\/strong>, il se retrouve en but \u00e0 la r\u00e9alit\u00e9. Se pourrait-il qu\u2019en noircissant sa partition le compositeur ait approch\u00e9 <strong>le mythique chant des sir\u00e8nes<\/strong> ?<\/p>\n<h3>Franz SCHUBERT &#8211; Impromptu Op.90 D.899 &#8211; n\u00b03 en Sol b\u00e9mol<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"CyzUc2vC4JI\"><iframe loading=\"lazy\" title=\"Brendel plays Schubert Impromptu Op.90 No.3\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/CyzUc2vC4JI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Qu\u2019est-ce qu\u2019un \u00ab<strong> Impromptu<\/strong> \u00bb ? Les ouvrages de r\u00e9f\u00e9rences parlent de <strong>po\u00e8mes improvis\u00e9s.<\/strong> Schubert a donc compos\u00e9 ses<strong> huit morceaux tels des improvisations<\/strong>, dans une <strong>libert\u00e9 d\u2019esprit<\/strong> qui lui permit <strong>toutes les audaces<\/strong>. En <strong>1827<\/strong>, lorsqu\u2019il les \u00e9labore, il a trente ans. Son portfolio regorge alors de pr\u00e8s d\u2019un millier d\u2019\u0153uvres dont la plupart feront l\u2019objet de publications posthumes. Par chance pour ses contemporains, ses Impromptus verront le jour de son vivant. D\u00e9c\u00e9d\u00e9 l\u2019ann\u00e9e suivante, il s\u2019en sera fallu d\u2019un an.<\/p>\n<p style=\"text-align: justify;\"><strong>Les Impromptus<\/strong> se pr\u00e9sentent sous la forme de <strong>deux fois quatre pi\u00e8ces pour piano<\/strong> num\u00e9rot\u00e9es de 1 \u00e0 4 au c\u0153ur de <strong>deux Opus<\/strong> distincts : <strong>Op ; 90 D. 899 <\/strong>et<strong> Op. 142 D. 935<\/strong>. R\u00e9unis dans un m\u00eame livret, chacun affirme sa propre singularit\u00e9.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-14138 size-full\" src=\"https:\/\/i0.wp.com\/culturesco.com\/wp-content\/uploads\/2021\/05\/Franz-Schubert-Inner-e1620592521659.jpg?resize=450%2C202&#038;ssl=1\" alt=\"Franz Schubert\" width=\"450\" height=\"202\" \/><\/p>\n<p style=\"text-align: justify;\">Les phrases \u00e9grain\u00e9es dans la premi\u00e8re partie de <strong>l\u2019Impromptus Op. 90 D. 899 &#8211; n\u00b01<\/strong> <strong>en ut<\/strong> semblent perdues, \u00e9gar\u00e9es, existent <strong>en parall\u00e8le les unes des autres<\/strong> sans jamais se croiser. Un sentiment d\u2019attente n\u00e9 chez l\u2019auditeur, une apn\u00e9e cognitive qui force son attention. Soudain, les notes se lient. Ce nouveau climat transf\u00e8re l\u2019instant suspendu vers un <strong>\u00e9tat d\u2019apaisement, comme \u00ab attendu \u00bb.<\/strong> Le temps reprend alors son cours et nous notre souffle.<\/p>\n<h3>Franz SCHUBERT &#8211; Impromptu Op.90 D.899 &#8211; n\u00b01 en Ut<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"149UGrLzR5w\"><iframe loading=\"lazy\" title=\"Brendel plays Schubert Impromptu Op.90 No.1\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/149UGrLzR5w\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">Rattach\u00e9s au mouvement <strong>Romantique<\/strong>, ces courtes pi\u00e8ces musicales n\u2019\u00e9voquent pas toutes des amours \u00e9vanescentes, la peau diaphane d\u2019une jeune femme expos\u00e9e \u00e0 l\u2019\u0153il concupiscent de l\u2019\u00eatre \u00e9namour\u00e9 qui, pourtant, n\u2019osera la toucher. Ainsi, <strong>l\u2019Impromptus Op. 90 D. 899 &#8211; n\u00b02 en Mi b\u00e9mol<\/strong> virevolte, <strong>papillon blanc pris dans les ailes du vent<\/strong>. L\u2019apr\u00e8s-midi se veut ensoleill\u00e9e, blondie par les bl\u00e9s. Chevauchant une alouette, l\u2019oreille parcoure <a href=\"https:\/\/www.youtube.com\/watch?v=Nb4uCMltF2k\" target=\"_blank\" rel=\"noopener\"><em>de vastes \u00e9tendues<\/em><\/a>. Les l\u00e8vres rouges et entrouvertes des coquelicots lui promettent des bais\u00e9s que les corolles des bleuets auront parfum\u00e9s.<strong> Champ\u00eatre<\/strong>, ce morceau disperse les sombres pens\u00e9es puis\u00e9es \u00e0 l\u2019encrier du labeur quotidien. Une <strong>bouff\u00e9e revigorante<\/strong> sur l\u2019horizon scl\u00e9ros\u00e9 par l\u2019actualit\u00e9.<\/p>\n<h3>Impromptu Op.90 D.899 &#8211; n\u00b02 en Mi b\u00e9mol<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"wgjvbONtU5Y\"><iframe loading=\"lazy\" title=\"Brendel plays Schubert Impromptu Op.90 No.2\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/wgjvbONtU5Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong>Le plus long des Impromptus<\/strong> se pr\u00e9sente en <strong>sept tableaux<\/strong>. Dans le premier, <strong>l\u2019enfance est h\u00e9sitante<\/strong>, brid\u00e9e tout autant par les interdits que l\u2019inconnu. Et puis <strong>l\u2019adolescence survient<\/strong>, cette valse folle o\u00f9 laisser libre cours \u00e0 ses envies. On se raconte des histoires, les rires fusent et les corps s\u2019animent en un<strong> joyeux quadrille<\/strong>. Mais <strong>les adultes<\/strong> veillent et <strong>rappellent au s\u00e9rieux<\/strong>, font fi de la frivolit\u00e9, travailler, b\u00e2tir sa future existence. <strong>\u00ab<\/strong> <em>Mais, p\u00e8re, quoi d\u2019autre qu\u2019<strong>apprendre la vie par l\u2019exp\u00e9rience ! <\/strong>\u00bb<strong>.<\/strong><\/em><\/p>\n<p style=\"text-align: justify;\">Des cris viennent de la rue : \u00ab <strong><em>Viens ! Sors ! Profite !<\/em> <\/strong>\u00bb. J\u2019ai des devoirs \u00e0 faire. \u00ab <em>Viens !<\/em> \u00bb. <strong>Je ne puis<\/strong>. \u00ab <em>Alors, tant pis \u2026<\/em> \u00bb. Ne reste qu\u2019\u00e0 <strong>s\u2019\u00e9vader par la pens\u00e9e.<\/strong> A moins que \u2026 La fen\u00eatre s\u2019ouvre et <strong>l\u2019oiseau s\u2019envole<\/strong>. <strong>L\u2019adulte, r\u00e9sign\u00e9<\/strong>, esp\u00e8re alors que sa descendance trouvera<strong> le bonheur promis qu\u2019il n\u2019a jamais conquis<\/strong>.<\/p>\n<h3>Franz SCHUBERT &#8211; Impromptu Op.142 D.935 &#8211; n\u00b03 en Si b\u00e9mol<\/h3>\n<div class=\"youtube-embed\" data-video_id=\"WpfvJ3Jihy0\"><iframe loading=\"lazy\" title=\"F. Schubert - Impromptu Op.142 (D.935) No.3 in B flat Major - Alfred Brendel\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/WpfvJ3Jihy0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: justify;\">En musique classique, une fois l\u2019oreille \u00e9duqu\u00e9e \u00e0 la fa\u00e7on de jouer d\u2019un artiste, il devient difficile de s\u2019en d\u00e9faire. <strong>L\u2019interpr\u00e9tation des Impromptus par <\/strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Alfred_Brendel\" target=\"_blank\" rel=\"noopener\">Alfred Brendel<\/a><strong>,<\/strong> ponctu\u00e9e d\u2019accents et d\u2019un rythme qui lui sont propres, <strong>les rend particuli\u00e8rement touchants<\/strong>. Au-del\u00e0, quel que soit celui ou celle derri\u00e8re le piano, ces deux Opus <strong>appellent au plaisir, \u00e0 la joie<\/strong>.<\/p>\n<p>Thierry Dauge<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Franz SCHUBERT &#8211; Les Impromptus par A. Brendel G\u00e9rard Depardieu, face cam\u00e9ra, dans Trop Belle Pour Toi : \u00ab Y\u2019en a marre de Schubert \u00bb. A ce moment du film, pour accompagner la sc\u00e8ne, l\u2019Impromptu Op. 90 D. 899 &#8211; n\u00b03 en Sol b\u00e9mol de Franz Schubert transcende la pellicule, magnifie le jeu de l\u2019acteur, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":14137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"tdm_status":"","tdm_grid_status":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17],"tags":[8001,70],"class_list":["post-14136","post","type-post","status-publish","format-image","has-post-thumbnail","category-carotte-rock-cultures","tag-biographie","tag-collections","post_format-post-format-image"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Franz SCHUBERT - Les Impromptus par A. 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